Books in French are on www.livres-cinema.info
MENU   

Remaking Brazil

Contested National Identities in Contemporary Brazilian Cinema

by Tatiana Signorelli Heise

Type
Studies
Subject
CountriesBrazil
Keywords
Brazil, 1990s, 2000s, national cultures
Publishing date
2012
Publisher
University of Wales Press
Collection
Iberian and Latin American Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 324 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-0-7083-2508-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an 'imagined community', the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.

About the Author:
Dr Tatiana Signorelli Heise is a Professor of Hispanic Studies at Manchester University.

Press Reviews:
'In this very readable book, Heise takes a fresh, innovative approach to the topic of contemporary Brazilian cinema by analysing how a range of both documentary and fiction films engage with notions of national identity. This book is an important addition to the growing bibliography on films of the so-called 'retomada' or renaissance of Brazilian cinema that began in the mid-1990s, and is essential reading for students and scholars working in this field. It will also appeal to a general readership with an interest in contemporary cinema or Brazilian culture.' Dr Lisa Shaw, Reader in Portuguese and Brazilian Studies, University of Liverpool 'This book offers to the English reader, for the first time, an overarching picture of Brazil's thriving contemporary film production. Heise has devised an insightful method to tackle its complexity, by focusing on the recurrent trope of brasilidade, that is, the idea of national belonging. The categories she establishes in order to organise her vast material - 'celebratory', 'reformist', 'oppositional' and 'alternative' - are bound to become common currency among film scholars. Bold in its assertions and unafraid of canonical theories, Remaking Brazil is a compelling testament to the resilience of the nation in the transnational era.' Professor Lucia Nagib, Centenary Professor of World Cinemas, University of Leeds

See the publisher website: University of Wales Press

> On a related topic:

11749 books listed   •   (c)2024-2025 cinemabooks.info   •