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Raymond Bellour
Cinema and the Moving Image
by Hilary Radner and Alistair Fox
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Book Presentation:
A comprehensive study of Raymond Bellour, one of the most important foundational theorists of Film Studies
One of the most influential figures in French film philosophy, Raymond Bellour’s interests range across cinema, art, literature and philosophy, and his work sits at the critical juncture between the cinematic experience in the period of classical cinema to the new forms of spectatorship ushered in by digital media in the 21st century. With a succinct account of Bellour’s oeuvre, this book provides a generous introduction to his ideas on cinema, an annotated bibliography of his work, and a six-chapter translation of a substantial and wide-ranging interview previously unavailable in English. Providing a clear, systematic account of the evolution of Bellour’s thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.
Key features
• Provides a clear, systematic exposition of the evolution of Bellour’s thought over 60 years
• Makes available in an English translation a hitherto unpublished interview with Bellour from 2015
• Includes an annotated bibliography, with brief abstracts of all of his books and most important articles
About the authors:
Hilary Radner is Emeritus Professor of Film and Media Studies at the University of Otago. She is the author of three monographs that form a trilogy addressing the formation of feminine identity at the end of the 20th century and the beginning of the 21st century: Shopping Around: Consumer Culture and the Pursuit of Pleasure (Routledge, 1995), Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture (Routledge, 2011), and The New Woman’s Film: Femme-centric Movies for Smart Chicks (Routledge, 2017). Her publications also include six co-edited volumes, notably A Companion to Contemporary French Cinema (2015).
Alistair Fox is Emeritus Professor at the University of Otago. He has published widely on topics in both literature and cinema, and most recently is the author of Jane Campion: Authorship and Personal Cinema (2011), Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature (2016), and Coming of Age Cinema in New Zealand (EUP, 2017).
Press Reviews:
Cinema and the Moving Image is a timely appreciation of Raymond Bellour, seminal critic and writer who has defined the art of film theory and analysis. Radner's meticulous study of the evolution of Bellour's style and manner that includes his embrace of classical cinema, video art and mixed media gives way to a hitherto untranslated interview in which Bellour discusses a gamut of his writings. Rounded out by Alistair Fox's biography and bibliography, the book is an invaluable contribution to film studies and a point of reference for work in literature and visual media.– Professor Tom Conley, Harvard University
See the publisher website: Edinburgh University Press
> From the same authors:
Coming-of-Age Cinema in New Zealand (2017)
Genre, Gender and Adaptation
by Alistair Fox
Subject: Countries > New Zealand
Speaking Pictures (2016)
Neuropsychoanalysis and Authorship in Film and Literature
by Alistair Fox
Subject: Sociology
New Zealand Cinema (2011)
Interpreting the Past
Dir. Alistair Fox, Barry Keith Grant and Hilary Radner
Subject: Countries > New Zealand
Jane Campion (2009)
Cinema, Nation, Identity
Dir. Alistair Fox, Hilary Radner and Irène Bessière
Subject: Director > Jane Campion
> On a related topic:
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz and Andrea Ruthven
Subject: Theory
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