Italian Neorealism
A Cultural History
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Neorealism emerged as a cultural exchange and a field of discourse that served to shift the confines of creativity and revise the terms of artistic expression not only in Italy but worldwide. If neorealism was thus a global phenomenon, it is because of its revolutionary portrayal of a transformative moment in the local, regional, and national histories of Italy. At once guiding and guided by that transformative moment, neorealist texts took up, reflected, and performed the contentious conditions of their creation, not just at the level of narrative content but also in their form, language, and structure. Italian Neorealism: A Cultural History demonstrates how they did so through a series of representative case studies. Recounting the history of a generation of artists, this study offers fundamental insights into one of the most innovative and influential cultural moments of the twentieth century.
About the Author:
Charles L. Leavitt IV is an assistant professor of Italian at the University of Notre Dame.
See the publisher website: University of Toronto Press
> Books with the same or similar title:
> On a related topic:
Brutal Vision (2012)
The Neorealist Body in Postwar Italian Cinema
Fame Amid the Ruins (2025)
Italian Film Stardom in the Age of Neorealism
Landscape and Memory in Post-Fascist Italian Film (2016)
Cinema Year Zero
Realist Film Theory and Bicycle Thieves (2023)
by Hilary Neroni and Todd McGowan
Subject: One Film > Bicycle Thieves
Neorealist Film Culture, 1945-1954 (2019)
Rome, Open Cinema