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Japanese Cinema and Punk:Intermedial Exchanges

Japanese Cinema and Punk (2025)

Intermedial Exchanges

de Mark Player

Sujet : Pays > Japon

Japanese Filmmakers in the Wake of Fukushima:Perspectives on Nuclear Disasters

Japanese Filmmakers in the Wake of Fukushima (2023)

Perspectives on Nuclear Disasters

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Sujet : Pays > Japon

Japanese High School Films:Iconography, Nostalgia and Discipline

Japanese High School Films (2023)

Iconography, Nostalgia and Discipline

de Peter C. Pugsley

Sujet : Pays > Japon

Japanese Visual Media:Politicizing the Screen

Japanese Visual Media (2023)

Politicizing the Screen

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Sujet : Pays > Japon

Cinema of Discontent:Representations of Japan's High-Speed Growth

Cinema of Discontent (2023)

Representations of Japan's High-Speed Growth

de Tomoyuki Sasaki

Sujet : Pays > Japon

Censorship in Japan

(livre en anglais)

de Heung-Wah Wong et Hoi-Yan Yau

Type
Etudes
Sujet
PaysJapon
Mots Clés
Japon, censure
Année d'édition
2022
Editeur
Routledge
Collection
Routledge Culture, Society, Business in East Asia Series
1ere édition
2020
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 230 pages
16 x 24 cm
ISBN
978-0-367-54497-3
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Description de l'ouvrage :
This book explores censorship, particularly film and video censorship, in Japan in modern times. It shows how most censorship has been the film and video industry exercising self-censorship and how this system has been problematic in that it has allowed dominant players in the industry to impose their own standards and exclude independent filmmakers. It outlines notable obscenity cases and discusses how industry self-censorship bodies have been undermined both by industry outsiders setting up their own alternative regimes and by the industry self-censorship bodies themselves being prosecuted for obscenity. The book also examines the conflict between the obscenity law, introduced in Meiji times when Japan was importing Western models, and the freedom of speech law, which was put in place by the US occupation administration after World War II. The book concludes by assessing the current state of censorship in Japan and likely future developments.

À propos des auteurs :
Hoi-yan Yau is Senior Lecturer in the Department of Cultural Studies at Lingnan University, Hong Kong.
Heung-wah Wong is Associate Professor and Acting Head of the School of Modern Languages and Cultures at The University of Hong Kong.

Voir le site internet de l'éditeur Routledge

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