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Transcendence and Spirituality in Japanese Cinema
Framing Sacred Spaces (livre en anglais)
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Description de l'ouvrage :
This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda, and Makoto Shinkai operate as expressions of and, potentially, catalysts for transcendence of various kinds, particularly during the Heisei era (1989–2019), when Japan experienced severe economic hardship and devastating natural disasters. The book’s approach to aesthetics and religion employs the multifaceted concepts of ma (structuring intervals, liminal space-time), kū (emptiness, sky), mono no aware (compassionate sensibility, resigned sadness), and musubi (generative interconnection), examining the dynamic, evolving nature of these ancient principles that are at once spiritual, aesthetic, and philosophical. Scholars and enthusiasts of Japanese cinema (live action and anime), religion and film, cinematic aesthetics, and the relationship between East Asian religions and the arts will find fresh perspectives on these in this book, which moves beyond conventional notions of transcendental style and essentialized approaches to the multivalent richness of Japanese aesthetics.
À propos de l'auteur :
Melissa Croteau is Professor of Film Studies and Literature and Director of the Film Program at California Baptist University, United States.
Voir le site internet de l'éditeur Routledge
> Du même auteur :
Apocalyptic Shakespeare (2009)
Essays on Visions of Chaos and Revelation in Recent Film Adaptations
Dir. Melissa Croteau et Carolyn Jess-Cooke
Sujet : Genre > Catastrophe
> Sur un thème proche :
Cinema of Discontent (2023)
Representations of Japan's High-Speed Growth
Japanese Filmmakers in the Wake of Fukushima (2023)
Perspectives on Nuclear Disasters
Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (2023)
Fragmenting History
Film Viewing in Postwar Japan, 1945-1968 (2022)
An Ethnographic Study
Making Audiences (2022)
A Social History of Japanese Cinema and Media
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