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Dutch Neorealism, Cinema, and the Politics of Painting, 1927–1945

(livre en anglais)

de Stephanie Lebas Huber

Type
Etudes
Sujet
PaysEurope
Mots Clés
Pays-Bas, années 30, néoréalisme
Année d'édition
2024 (11 août 2024)
Editeur
Routledge
Collection
Routledge Research in Art and Politics
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 234 pages
17 x 24 cm
ISBN
978-1-032-68026-2
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Description de l'ouvrage :
This study offers a radically new perspective on Dutch Neorealism, one that emphasizes the role of film as an apparatus, the effects of which, when emulated in painting, can reproduce the affective experience of film-watching.

More of a tendency than a tightly defined style or "ism," Neorealism is the Dutch variant of Magic Realism, an uncanny mode of figurative painting identified with Neue Sachlichkeit in Germany and Novecento in Italy. Best represented by the Dutch artists Pyke Koch, Carel Willink, Charley Toorop, Raoul Hynckes, Dick Ket, and Wim Schuhmacher, Neorealism—as demonstrated in this book—depicted societal disintegration and allegories of looming disaster in reaction to the rise of totalitarian regimes and, eventually, the Nazi Occupation of The Netherlands. The degree to which these artists exhibited either revolutionary or reactionary sentiments—usually corresponding with their political affiliation—is one of the central problematics explored in this text.

The book will be of interest to scholars working in art history, World War II history, and film studies.

The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

À propos de l'auteur :
Stephanie Lebas Huber is an independent scholar based in New York.

Voir le site internet de l'éditeur Routledge

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