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Literature and Sound Film in Mid-Century Britain

(livre en anglais)

de Lara Ehrenfried

Type
Etudes
Sujet
PaysGrande-Bretagne
Mots Clés
Grande-Bretagne, années 30, son, littérature
Année d'édition
2025 (30 avril 2025) (à paraître)
Editeur
Oxford University Press
Collection
Oxford Mid-Century Studies Series
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 256 pages
14 x 21,5 cm
ISBN
978-0-19-895076-9
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Description de l'ouvrage :
• Develops a unique, multi-sensory and intermedial approach to twentieth-century film and literature by taking into account vision and audition
• Includes discussions of a large range of commercial film genres and of canonical as well as non-canonical texts and authors
• Focuses on talking films and synchronized sound

What happened to cinema and literature when synchronized sound was introduced to the film industry in the late 1920s? Literature and Sound Film in Mid-Century Britain studies the paths of film and text following this event. It asks how British cinema responded to the introduction of sound and how mid-century literature took up the challenge of the synchronized, audio-visual entertainment experience offered by this media change.

By examining the technological and industrial histories of film and its narrative strategies and by drawing links to twentieth-century literary culture, this study offers a new way of approaching mid-century writing and its media ecology. Developing innovative, audio-visual close readings, this book offers a multi-sensory, multi-media approach that reframes the relationships between cinema and literature in the twentieth century. The study addresses a wide range of film genres, such as musical film, screwball comedy, the thriller, documentary, and melodrama alongside the writings of a large group of authors including Elizabeth Bowen, Patrick Hamilton, Evelyn Waugh, Lewis Grassic Gibbon, Henry Green, Jean Rhys, Ivy Compton-Burnett, and Eric Ambler. It covers an expansive range of films and texts of the 1930s and 1940s and invites readers to comprehensively rethink mid-century media culture by arguing for a growing synergy of film and text.

À propos de l'auteur :
Lara Ehrenfried, Postdoctoral researcher, LMU Munich Lara Ehrenfried completed her PhD in English Literature and Visual Culture at the University of Durham in 2020. In October 2021, she took up her current post as a postdoctoral researcher at LMU Munich. Her research considers the intersections of sound, visual culture, and literature. Literature and Sound Film in Mid-Century Britain is her first monograph.

Voir le site internet de l'éditeur Oxford University Press

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