Les livres en français sont sur www.livres-cinema.info
MENU   

Tear-Drenched Earth

Cinema and the Partition of India (livre en anglais)

de John W. Hood

Type
Etudes
Sujet
PaysInde
Mots Clés
Inde, sociologie, politique
Année d'édition
2024 (06 mars 2024)
Editeur
Orient Blackswan
Collection
Film Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 228 pages
14 x 21,5 cm
ISBN
978-93-5442-469-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
The trauma of Partition is an indelible part of the collective memory of the citizens of India and Pakistan and, later, Bangladesh. With over 15 million displaced and several million dead on both sides of the Radcliffe Line, this massive exodus remains forever a black mark in history. Partition and its aftermath have been central to much of subcontinental cinema, and found frequent and varied representation on screen. Tear-Drenched Earth looks at landmark films from the 1950s to the 2010s that depict aspects of the Partition, such as Gandhi, Chinnamul, Meghe Dhaka Tara, Viceroy’s House, Tamas, Garm Hawa, Pinjar and Toba Tek Singh. Focusing on films that highlight the tragic absurdity of a historic catastrophe unprecedented in scale and devastation, and the unimaginable horror of its consequences, John W. Hood studies the ways in which it affected lives on both sides of the divide. He examines the ideas of nation, self, faith, identity, family, love, home and memory in the wake of Partition, and shows how religion and politics are inextricably linked and how they shaped Partition violence. He also reflects on how the newly-drawn borders of the newborn nations created and reinforced notions of the Other that fostered a blind lust for revenge and mindless violence which continued long after Partition, as witnessed in the 1971 Bangladesh Liberation War, the 1984 anti-Sikh riots and the 2002 Godhra massacre. Poignant, insightful and compelling, this book will interest Indian film buffs and general readers as well as students of film studies, culture studies, Indian history and the Partition.

À propos de l'auteur :
John W. Hood is a writer and film scholar who has published extensively on Indian cinema, including Mysteries of the Mundane (2019) and Beyond the World of Apu (2008). Also a well-known translator of Bengali literature, his published works include History of the Bengali People (2013) by Niharranjan Ray.

Voir le site internet de l'éditeur Orient Blackswan

> Sur un thème proche :

The Vanishing Point:Moving Images After Video

The Vanishing Point (2022)

Moving Images After Video

de Rashmi Sawhney

Sujet : Pays > Inde

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

Muslim Identity in Hindi Cinema (2025)

Poetics and Politics of Genre and Representation

de Mohammad Asim Siddiqui

Sujet : Pays > Inde

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

Postcolonial Bollywood and Muslim Identity (2024)

Production, Representation, and Reception

de Nadira Khatun

Sujet : Pays > Inde

Ways of Remembering:Law, Cinema and Collective Memory in the New India

Ways of Remembering (2024)

Law, Cinema and Collective Memory in the New India

de Oishik Sircar

Sujet : Pays > Inde

Visual Anthropology of Indian Films:Religious Communities and Cultural Traditions in Bollywood and Beyond

Visual Anthropology of Indian Films (2024)

Religious Communities and Cultural Traditions in Bollywood and Beyond

Dir. Pankaj Jain

Sujet : Pays > Inde

House Full:Indian Cinema and the Active Audience

House Full (2016)

Indian Cinema and the Active Audience

de Lakshmi Srinivas

Sujet : Pays > Inde

Outside the Lettered City:Cinema, Modernity, and the Public Sphere in Late Colonial India

Outside the Lettered City (2015)

Cinema, Modernity, and the Public Sphere in Late Colonial India

de Manishita Dass

Sujet : Pays > Inde

Dream Machine:Realism and Fantasy in Hindi Cinema

Dream Machine (2015)

Realism and Fantasy in Hindi Cinema

de Samir Dayal

Sujet : Pays > Inde

11776 livres recensés   •   (c)2024-2025 cinemabooks.info   •