Les livres en français sont sur www.livres-cinema.info
The Vanishing Point
Moving Images After Video (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
The fading out of celluloid cinema, and the arrival of video and the digital image, mark a tectonic shift in our understanding of representation as an aesthetic and political act. As the cinematic image, defined by its indexical relationship to external reality, yields to images comprised of zeros, ones and pixels, the ethical contract between world and image opens up a new range of possibilities and problems. At this juncture, from what appears as the vanishing point, history folds into memory, the spectral performs as the material, and copies cannot be distinguished from the original. This volume casts a retrospective glance from this vantage point, tracing acts of resistance and defiance over the last three decades within the realm of the moving image. Visual and textual work by artists, theorists, historians, curators, and filmmakers from India is presented through mutual interruptions and alignments, enabling new readings of our recent past and signalling possibilities for our immediate futures.
À propos de l'auteur :
Rashmi Sawhney is associate professor of film and cultural studies at Christ University, Bangalore. She writes on cinema and the visual arts and is co-founder, with Lucia Imaz King, of VisionMix. Her curatorial projects include Future Orbits and Video Vortex XI, both as collaterals of the 2017 Kochi Muziris Biennale, and Loss and Transience, Hong-gah Museum, Taipei, 2021.
Voir le site internet de l'éditeur Tulika Books
> Sur un thème proche :
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra et Dibyakusum Ray
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
The Revolution of Indian Parallel Cinema in the Global South (1968–1995) (2025)
From Feminism to Iconoclasm
de Omar Ahmed
Retour
