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The Films of Douglas Sirk:Exquisite Ironies and Magnificent Obsessions

The Films of Douglas Sirk (2019)

Exquisite Ironies and Magnificent Obsessions

de Tom Ryan

Sujet : Réalisateur > Douglas Sirk

Sirk on Sirk:Conversations with Jon Halliday

Sirk on Sirk (1997)

Conversations with Jon Halliday

de Douglas Sirk et Jon Halliday

Sujet : Réalisateur > Douglas Sirk

Melodrama and Meaning:History, Culture, and the Films of Douglas Sirk

Melodrama and Meaning (1994)

History, Culture, and the Films of Douglas Sirk

de Barbara Klinger

Sujet : Genre > Drame

Imitation of Life:Douglas Sirk, Director

Imitation of Life (1991)

Douglas Sirk, Director

Dir. Lucy Fischer

Sujet : Un Film > Imitation of Life

Strangelove Country:Science Fiction, Filmosophy, and the Kubrickian Consciousness

Strangelove Country (2025)

Science Fiction, Filmosophy, and the Kubrickian Consciousness

de D. Harlan Wilson

Sujet : Réalisateur > Stanley Kubrick

Cloud:Between Paris and Tehran: Kiarostami/Corbin/Lacan

Cloud (2025)

Between Paris and Tehran: Kiarostami/Corbin/Lacan

de Joan Copjec

Sujet : Réalisateur > Abbas Kiarostami

Chantal Akerman:Filmmaker and Philosopher

Chantal Akerman (2025)

Filmmaker and Philosopher

de Andreja Novakovic

Sujet : Réalisateur > Chantal Akerman

Douglas Sirk

Filmmaker and Philosopher (livre en anglais)

de Robert B. Pippin

Type
Essais
Sujet
RéalisateurDouglas Sirk
Mots Clés
Douglas Sirk, philosophie
Année d'édition
2021
Editeur
Bloomsbury Academic
Collection
Philosophical Filmmakers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 168 pages
15 x 21,5 cm
ISBN
978-1-350-19567-7
Appréciation
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Description de l'ouvrage :
It would be easy to dismiss the films of Douglas Sirk (1897-1987) as brilliant examples of mid-century melodrama with little to say to the contemporary world. Yet Robert Pippin argues that, far from being marginal pieces of sentimentality, Sirk's films are rich with irony, insight and depth. Indeed Sirk's films, often celebrated as classics of the genre, are attempts to subvert rather than conform to rules of conventional melodrama.

The visual style, story and characters of films like All That Heaven Allows, Written on the Wind and Imitation of Life are explored to argue for Sirk as an incredibly nuanced moral thinker. Instead of imposing moralising judgements on his characters, Sirk presents them as people who do 'wrong' things often without understanding why or how, creating a complex and unsettling ethics. Pippin argues that it this moral ambiguity and ironic richness enables Sirk to produce films that grapple with important themes such as race, class and gender with real force and political urgency.

Douglas Sirk: Filmmaker and Philosopher argues for a filmmaker who was a 'disruptive not restorative' auteur and one who broke the rules in the most interesting and subtle of ways.

Voir le site internet de l'éditeur Bloomsbury Academic

Voir la filmographie complète de Douglas Sirk sur le site IMDB ...

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