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Melodrama:An Aesthetics of Impossibility

Melodrama (2016)

An Aesthetics of Impossibility

de Jonathan Goldberg

Sujet : Genre > Drame

Melodrama:Genre, Style, Sensibility

Melodrama (2005)

Genre, Style, Sensibility

de John Mercer et Martin Shingler

Sujet : Genre > Drame

Imitations of Life:A Reader on Film & Television Melodrama

Imitations of Life (1991)

A Reader on Film & Television Melodrama

Dir. Marcia Landy

Sujet : Genre > Drame

The Call of the Heart:John M. Stahl and Hollywood Melodrama

The Call of the Heart (2018)

John M. Stahl and Hollywood Melodrama

Dir. Bruce Babington et Charles Barr

Sujet : Réalisateur > John M. Stahl

Melodrama and Modernity:Early Sensational Cinema and Its Contexts

Melodrama and Modernity (2001)

Early Sensational Cinema and Its Contexts

de Ben Singer

Sujet : Cinéma muet

Douglas Sirk:Filmmaker and Philosopher

Douglas Sirk (2021)

Filmmaker and Philosopher

de Robert B. Pippin

Sujet : Réalisateur > Douglas Sirk

The Films of Douglas Sirk:Exquisite Ironies and Magnificent Obsessions

The Films of Douglas Sirk (2019)

Exquisite Ironies and Magnificent Obsessions

de Tom Ryan

Sujet : Réalisateur > Douglas Sirk

Melodrama and Meaning

History, Culture, and the Films of Douglas Sirk (livre en anglais)

de Barbara Klinger

Type
Etudes
Sujet
GenreDrame
Mots Clés
melodrama, Douglas Sirk
Année d'édition
1994
Editeur
Indiana University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 224 pages
15,5 x 23 cm
ISBN-10
ISBN-13
0-253-20875-0
978-0-253-20875-0
Appréciation
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Description de l'ouvrage :
Melodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema—academia, the film industry, review journalism, star publicity, and the mass media—create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.

À propos de l'auteur :
BARBARA KLINGER, Associate Professor of Comparative Literature and Film Studies and director of the Cultural Studies program at Indiana University, has published essays on film theory, criticism, and history in Screen, Wide Angle, Cinema Journal, and the Yale Journal of Criticism.

Voir le site internet de l'éditeur Indiana University Press

> Du même auteur :

Immortal Films:

Immortal Films (2022)

"Casablanca" and the Afterlife of a Hollywood Classic

de Barbara Klinger

Sujet : Sociologie

Beyond the Multiplex:Cinema, New Technologies, and the Home

Beyond the Multiplex (2006)

Cinema, New Technologies, and the Home

de Barbara Klinger

Sujet : Sociologie

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