Les livres en français sont sur www.livres-cinema.info
MENU   

What If I Had Been the Hero?

Investigating Women's Cinema (livre en anglais)

de Sue Thornham

Type
Essais
Sujet
Sociologie
Mots Clés
genre, féminisme, Sally Potter, femmes, réalisateur, Jane Campion, Julie Dash
Année d'édition
2012
Editeur
BFI Publishing
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 248 pages
15,5 x 24 cm
ISBN
978-1-84457-363-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Sue Thornham's study explores issues in feminist filmmaking through an examination of a wide range of films by women filmmakers, ranging from the avant-garde to mainstream Hollywood, and from the 1970s to the present day, discussing directors including Sally Potter, Jane Campion, Julie Dash, Patricia Rozema and Lynne Ramsay.

What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by filmmakers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay.

Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US. Not content to take the 'post feminist' makeover film or the figure of the 'action chick' as evidence of women's increased power and status, Sue Thornham raises key issues about women as authors, subjects and heroes of their narratives. She argues that simple reversals of gendered positions of hero/heroine, active/passive, and subject/object are not enough.

Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debate, situating filmmaking within a rich history of female creativity, and insisting on the continuing importance of feminist theory.

À propos de l'auteur :
SUE THORNHAM is Professor of Media and Film and Head of School at the University of Sussex, UK. She is the author of Passionate Detachments: An Introduction to Feminist Film Theory (1996), Feminist Theory and Cultural Studies (2001) and Women, Feminism and Media (2007); the co-author, with Tony Purvis, of Television Drama: Theories and Identities (2005); the editor of Feminist Film Theory: A Reader (1999), and the co-editor, with Caroline Bassett and Paul Marris, of Media Studies: A Reader (3rd edition 2009).

Voir le site internet de l'éditeur BFI Publishing

> Du même auteur :

> Sur un thème proche :

Political Animals:The New Feminist Cinema

Political Animals (2015)

The New Feminist Cinema

de Sophie Mayer

Sujet : Sociologie

Feminist Auteurs:Reading Women's Films

Feminist Auteurs (2007)

Reading Women's Films

de Geetha Ramanathan

Sujet : Sociologie

Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

Sustainable Resilience in Women's Film and Video Organizations (2024)

A Counter-Lineage in Moving Image History

de Rosanna Maule

Sujet : Sociologie

There She Goes Again:Gender, Power, and Knowledge in Contemporary Film and Television Franchises

There She Goes Again (2023)

Gender, Power, and Knowledge in Contemporary Film and Television Franchises

de Aviva Dove-Viebahn

Sujet : Sociologie

The Avenging-Woman On-Screen:Female Empowerment and Feminist Possibilities

The Avenging-Woman On-Screen (2023)

Female Empowerment and Feminist Possibilities

de Lara C. Stache et Rachel D. Davidson

Sujet : Sociologie

Independent Women:From Film to Television

Independent Women (2023)

From Film to Television

Dir. Claire Perkins et Michele Schreiber

Sujet : Sociologie

The Monstrous-Feminine:Film, Feminism, Psychoanalysis

The Monstrous-Feminine (2023)

Film, Feminism, Psychoanalysis

de Barbara Creed

Sujet : Sociologie

Return of the Monstrous-Feminine:Feminist New Wave Cinema

Return of the Monstrous-Feminine (2022)

Feminist New Wave Cinema

de Barbara Creed

Sujet : Sociologie

Girl Head:Feminism and Film Materiality

Girl Head (2020)

Feminism and Film Materiality

de Genevieve Yue

Sujet : Sociologie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •