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The Monstrous-Feminine:Film, Feminism, Psychoanalysis

The Monstrous-Feminine (2023)

Film, Feminism, Psychoanalysis

de Barbara Creed

Sujet : Sociologie

Return of the Monstrous-Feminine:Feminist New Wave Cinema

Return of the Monstrous-Feminine (2022)

Feminist New Wave Cinema

de Barbara Creed

Sujet : Sociologie

The Woman at the Keyhole:Feminism and Women's Cinema

The Woman at the Keyhole (1990)

Feminism and Women's Cinema

de Judith Mayne

Sujet : Sociologie

Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

Sustainable Resilience in Women's Film and Video Organizations (2024)

A Counter-Lineage in Moving Image History

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Sujet : Sociologie

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Independent Women (2023)

From Film to Television

Dir. Claire Perkins et Michele Schreiber

Sujet : Sociologie

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There She Goes Again (2023)

Gender, Power, and Knowledge in Contemporary Film and Television Franchises

de Aviva Dove-Viebahn

Sujet : Sociologie

The Avenging-Woman On-Screen:Female Empowerment and Feminist Possibilities

The Avenging-Woman On-Screen (2023)

Female Empowerment and Feminist Possibilities

de Lara C. Stache et Rachel D. Davidson

Sujet : Sociologie

Women & Film:Both sides of the camera

Women & Film (2016)

Both sides of the camera

de E. Ann Kaplan

Sujet : Sociologie

Political Animals:The New Feminist Cinema

Political Animals (2015)

The New Feminist Cinema

de Sophie Mayer

Sujet : Sociologie

Women's Cinema, World Cinema:Projecting Contemporary Feminisms

Women's Cinema, World Cinema (2015)

Projecting Contemporary Feminisms

de Patricia White

Sujet : Sociologie

Girl Head

Feminism and Film Materiality (livre en anglais)

de Genevieve Yue

Type
Etudes
Sujet
Sociologie
Mots Clés
féminisme, femmes, représentation
Année d'édition
2020
Editeur
Fordham University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 240 pages
15,5 x 23,5 cm
ISBN
978-0-8232-8955-4
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Description de l'ouvrage :
Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen.

For decades, feminist film criticism has focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation?

Girl Head explores how gender and sexual difference have been deeply embedded within film materiality. In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive. Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film. The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art.

This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

À propos de l'auteur :
Genevieve Yue is an assistant professor of in the Department of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. Her essays and criticism have been published in October, Grey Room, The Times Literary Supplement, Reverse Shot, Artforum .com, Film Comment, and Film Quarterly. She is also an independent film programmer and serves on the Board of Trustees for the Flaherty Film Seminar.

Revue de Presse :
Girl Head is a cogent, imaginative, and important book about the gendered underpinnings of the materials of cinema. It is an important contribution to feminist film history and to film studies more generally.---Catherine Russell, Concordia University

In this surprising and immensely pleasurable read, Yue reveals a hidden history of disappearing female bodies and their link to the materiality of film and its technical processes. Girl Head is a brilliant and original book and sure to be an important reference for media historians and film theorists alike.---Nico Baumbach, Columbia University

Voir le site internet de l'éditeur Fordham University Press

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