Sur un thème proche :
Transpacific Convergences (2022)
Race, Migration, and Japanese American Film Culture before World War II
de Denise Khor
Sujet : Pays > Etats-Unis
Border Witness (2023)
Reimagining the US-Mexico Borderlands through Film
de Michael Dear
Sujet : Sociologie
Imagining the American Death Penalty (2025)
The Cultural Work of Popular Visual Representations
de Birte Christ
Sujet : Pays > Etats-Unis
Our Country/Whose Country? (2024)
Early Westerns and Travel Films as Stories of Settler Colonialism
de Richard Abel
Sujet : Pays > Etats-Unis
Policing Show Business (2024)
J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies
Sujet : Pays > Etats-Unis
Hollywood and the Movies of the Fifties (2023)
The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television
Sujet : Pays > Etats-Unis
Invented Lives, Imagined Communities
The Biopic and American National Identity (livre en anglais)
Sous la direction de William H. Epstein et R. Barton Palmer
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Description de l'ouvrage :
How Hollywood biopics both showcase and modify various notions of what it means to be an American.
Biopics—films that chronicle the lives of famous and notorious figures from our national history—have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character.
À propos des auteurs :
William H. Epstein is Professor of English at the University of Arizona. His previous books include Recognizing Biography and Contesting the Subject: Essays in the Postmodern Theory and Practice of Biographical Criticism. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of Film Studies at Clemson University. His previous books include Shot on Location: Postwar American Cinema and the Exploration of Real Place and (with William Robert Bray) Hollywood's Tennessee: The Williams Films and Postwar America.
Revue de Presse :
"…a fine addition to the increasing library of studies of the biopic genre. " — Biography
". ..a valuable resource for all who are interested in history and film … Highly recommended. " — CHOICE
"A provocative, critically astute study, this collection examines the biopic as a reflexive, refractive modernist film genre. Admirably researched essays provide close, compelling readings of chosen films, while exploring the multilayered matrices of historical fact, biographical and autobiographical literature, popular media representations, and cultural histories—shaping not only the lives and narratives of the performers, artists, and political/historical figures represented but also the practices of the filmmakers as they worked within or on the margins of the Hollywood industry. " — Cynthia Lucia, Rider University
"The volume's greatest strengths include its range, its variety of ideas on the significance of the biopic, and its research—definitive in several cases—into the relation between historical figures and their cinematic counterparts. " — James Morrison, author of Passport to Hollywood: Hollywood Films, European Directors
Voir le site internet de l'éditeur State University of New York Press
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