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Pictures of Poverty

The Works of George R. Sims and Their Screen Adaptations (livre en anglais)

de Lydia Jakobs

Type
Etudes
Sujet
Sociologie
Mots Clés
aspects sociaux, Grande-Bretagne, adaptation
Année d'édition
2021
Editeur
John Libbey Publishing
Collection
Kintop Studies in Early Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 276 pages
15,5 x 23 cm
ISBN
978-0-86196-752-0
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Description de l'ouvrage :
From Charles Dickens's Oliver Twist to George Sims's How the Poor Live, illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs taken in the slums. London and its street life were the preferred setting for George Robert Sims's rousing ballads and the numerous magic lantern slide series and silent films based on them. Sims was a popular journalist and dramatist, whose articles, short stories, theatre plays and ballads discussed overcrowding, drunkenness, prostitution and child poverty in dramatic and heroic episodes from the lives and deaths of the poor. Richly illustrated and drawing from many previously unknown sources, Pictures of Poverty is a comprehensive account of the representation of poverty throughout the Victorian period, whether disseminated in newspapers, illustrated books and lectures, presented on the theatre stage or projected on the screen in magic lantern and film performances. Detailed case studies reveal the intermedial context of these popular pictures of poverty and their mobility across genres. With versatile author George R. Sims as the starting point, this study explores the influence of visual media in historical discourses about poverty and the highly controversial role of the Victorian state in poor relief.

À propos de l'auteur :
Lydia Jakobs holds a PhD from the University of Trier, Germany, and a Certificate in International Journalism from Hamline University, St. Paul, USA. She was a member of the Screen1900 research focus at the University of Trier, where she also earned master's degrees in Media Studies, English and Spanish Literature and a Certificate in Gender Studies. She is the editor of the KINtop newsletter for early cinema and currently serves as Research Officer for the Magic Lantern Society of the UK.

Voir le site internet de l'éditeur John Libbey Publishing

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