Les livres en français sont sur www.livres-cinema.info
Screening the Crisis
US Cinema and Social Change in the Wake of the 2008 Crash (livre en anglais)
Sous la direction de Hilaria Loyo
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
The financial collapse of 2008 extended and deepened a prolonged, multilayered crisis that has transformed, often in unexpected ways, how we think about all aspects of social life. Amid these turbulent times, film studies scholars have begun to ask new questions and create fresh strategies in order to integrate intellectual and political work in ways that directly address our current predicament. This timely volume reconsiders the relationships between cinema and society at a time when neoliberal policies threaten not only civic culture but also nearly every aspect of human life. Screening the Crisis brings together established authors as well as brilliant young scholars in the field of film studies to explore the ways in which new tendencies in US cinema enhance awareness of the complexity of the problems facing contemporary society. The issues addressed include economic inequality, shifts in gender roles, racial conflicts, immigration, surveillance practices, the environmental crisis, the politics of housing, and the fragility of nationhood. These questions are explored through in-depth studies and contextualized analyses of a wide variety of recent films, genres, and filmmakers. With its ample range of topics and perspectives, this collection provides an essential reference work for those who want to research how US cinema has responded to the manifold interconnected crises that characterize our current times.
À propos de l'auteur :
Hilaria Loyo is former Associate Professor at the University of Zaragoza, Spain. She has written mainly on Hollywood film stars, the cultural reception of Marlene Dietrich, the representation of whiteness and Hollywood female blondes, trauma studies and transnational exchanges in Isabel Coixet's films, and on the politics of space in cinema. Her work has appeared in various anthologies and journals. Her most recent publication can be found in The Velvet Light Trap (2019).Juan A. Tarancón is Lecturer at the University of Zaragoza, Spain. He has written on film genre theory, on representations of immigration and Mexican American culture, and on the work of John Sayles and Carlos Saura. His work has appeared in CineAction, Cultural Studies, The Quarterly Review of Film and Video, New Cinemas, and varied Spanish scholarly journals. He is co-editor of Global Genres, Local Films: The Transnational Dimension of Spanish Cinema (2016).
Revue de Presse :
"Examining the dynamic interplay between screen cultures and various crises underpinning American society – poverty, homelessness, racism, ecological disaster, terrorism, war, and more – this book suggests ways in which mainstream and independent cinema alike have been exploring multiple intersecting dark undersides of contemporary American society. Contributors adopt a cultural studies approach to consider a wide variety of 21st-century films as archives of precarity, barometers of the affective experience of crisis, and, potentially, harbingers of change." ―Pamela Robertson Wojcik, Professor in the Department of Film, TV, and Theatre, University of Notre Dame, USA
"Screening the Crisis' editors have assembled a volume that significantly updates the literature on cinema, crisis and austerity. Comprised of richly textured genre, industry and social histories, the book will be of use to both students and scholars alike." ―Diane Negra, Professor of Film Studies and Screen Culture, University College Dublin, Ireland
"Screening the Crisis is an excellent, and very timely, new volume of scholarly essays that examines the impact of the post-2008 financial crisis as it has played out in American cinema. Engaging with some of the most important films of the 21st century, the collection provides impressive accounts of the multilayered ways in which the crisis took hold of, and shaped, American society." ―Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK
Voir le site internet de l'éditeur Bloomsbury Academic
> Sur un thème proche :
Passionate Detachments (2018)
Technologies of Vision and Violence in American Cinema, 1967-1974
de Amy Rust
Sujet : Sociologie
The Silent Appalachian (2017)
Wordless Mountaineers in Fiction, Film and Television
Sujet : Sociologie
Film and the Working Class (2015)
The Feature Film in British and American Society
de Peter Stead
Sujet : Sociologie
Native Americans on Film (2013)
Conversations, Teaching, and Theory
Dir. M. Elise Marubbio et Eric L. Buffalohead
Sujet : Sociologie
Consent Culture and Teen Films (2023)
Adolescent Sexuality in Us Movies
de Michele Meek
Sujet : Sociologie
The Hell of War Comes Home (2019)
Imaginative Texts from the Conflicts in Afghanistan and Iraq
Sujet : Sociologie
Retour
