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Shakespeare Remains
Theater to Film, Early Modern to Postmodern (livre en anglais)
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Description de l'ouvrage :
No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the "death of the author"? In her cogent book, Lehmann reexamines these issues through a new lens: film theory.An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism.By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect--indeed, as an auteur--in two cultures wherein authors fear to tread.
À propos de l'auteur :
Courtney Lehmann is Associate Professor of English and Film Studies and Director of the Pacific Humanities Center at the University of the Pacific.
> Sur un thème proche :
English Classics in Audiovisual Translation (2024)
Dir. Irene Ranzato et Luca Valleriani
Sujet : Technique > Adaptation
Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
de James Newlin
Sujet : Technique > Adaptation
Devouring Time (2017)
Nostalgia in Contemporary Shakespearean Screen Adaptations
Sujet : Technique > Adaptation
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