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Lure of the Big Screen:Cinema in Rural Australia and the United Kingdom

Lure of the Big Screen (2015)

Cinema in Rural Australia and the United Kingdom

de Karina Aveyard

Sujet : Sociologie

Australian Film Revival, The:1970s, 1980s, and Beyond

Australian Film Revival, The (2024)

1970s, 1980s, and Beyond

de Susan Barber

Sujet : Pays > Australie

Cast Mates:Australian Actors in Hollywood and at Home

Cast Mates (2023)

Australian Actors in Hollywood and at Home

de Sam Twyford-Moore

Sujet : Pays > Australie

Those Dashing McDonagh Sisters:Australia's first female filmmaking team

Those Dashing McDonagh Sisters (2022)

Australia's first female filmmaking team

de Mandy Sayer

Sujet : Pays > Australie

Melbourne on Film:Cinema That Defines Our City

Melbourne on Film (2022)

Cinema That Defines Our City

Collectif

Sujet : Pays > Australie

Law, Lawyers and Justice:Through Australian Lenses

Law, Lawyers and Justice (2021)

Through Australian Lenses

Dir. Kim D Weinert, Karen Crawley et Kieran Tranter

Sujet : Pays > Australie

Finding Queensland in Australian Cinema:Poetics and Screen Geographies

Finding Queensland in Australian Cinema (2019)

Poetics and Screen Geographies

de Allison Craven

Sujet : Pays > Australie

The Lost Child Complex in Australian Film:Jung, Story and Playing Beneath the Past

The Lost Child Complex in Australian Film (2019)

Jung, Story and Playing Beneath the Past

de Terrie Waddell

Sujet : Pays > Australie

New Australian cinema

sources and parallels in American and British films (livre en anglais)

de Brian McFarlane et Geoff Mayer

Type
Etudes
Sujet
PaysAustralie
Mots Clés
Australie, Grande-Bretagne
Année d'édition
1992
Editeur
Cambridge University Press
Collection
Cambridge Studies in the History of Mass Communication
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 259 pages
16 x 24 cm
ISBN-10
ISBN-13
0-521-38363-3
978-0-521-38363-9
Appréciation
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Description de l'ouvrage :
This book represents a new way of thinking about Australian cinema by asking where the origins of the new film lie. It begins by tracing the indebtedness of Australian cinema to the classical narrative style of Hollywood filmmaking, with its firm grasp of melodrama. Several films are studied in detail within this framework, including Picnic at Hanging Rock, Blood Oath, The Empty Beach, and Shame. The book continues by comparing the problems faced by "high" British cinema of the 1940s and 1950s with those faced by Australian cinema of the 1970s and the 1980s in the attempts by both countries to establish national film industries. Many parallels are drawn between the responses of British and Australian cinema to the overall dominance of Hollywood, despite the thirty-year gap between these two periods of filmmaking.

Voir le site internet de l'éditeur Cambridge University Press

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