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New Australian cinema
sources and parallels in American and British films
by Brian McFarlane and Geoff Mayer
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Book Presentation:
This book represents a new way of thinking about Australian cinema by asking where the origins of the new film lie. It begins by tracing the indebtedness of Australian cinema to the classical narrative style of Hollywood filmmaking, with its firm grasp of melodrama. Several films are studied in detail within this framework, including Picnic at Hanging Rock, Blood Oath, The Empty Beach, and Shame. The book continues by comparing the problems faced by "high" British cinema of the 1940s and 1950s with those faced by Australian cinema of the 1970s and the 1980s in the attempts by both countries to establish national film industries. Many parallels are drawn between the responses of British and Australian cinema to the overall dominance of Hollywood, despite the thirty-year gap between these two periods of filmmaking.
See the publisher website: Cambridge University Press
> From the same authors:
Hollywood's Melodramatic Imagination (2021)
Film Noir, the Western and Other Genres from the 1920s to the 1950s
by Geoff Mayer
Subject: Genre > All Genres
The Encyclopedia of British Film (2021)
Dir. Brian McFarlane and Anthony Slide
Subject: Countries > Great Britain
Four from the Forties (2018)
Arliss, Crabtree, Knowles and Huntington
Subject: Countries > Great Britain
Michael Winterbottom (2009)
by Brian McFarlane and Deane Williams
Subject: Director > Michael Winterbottom
The Cinema of Australia and New Zealand (2007)
Dir. Geoff Mayer and Keith Beattie
> On a related topic:
Cast Mates (2023)
Australian Actors in Hollywood and at Home
Law, Lawyers and Justice (2021)
Through Australian Lenses
Dir. Kim D Weinert, Karen Crawley and Kieran Tranter
Finding Queensland in Australian Cinema (2019)
Poetics and Screen Geographies
The Lost Child Complex in Australian Film (2019)
Jung, Story and Playing Beneath the Past
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