Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Film in Britain in the New Millennium (2012)
Journal of British Cinema and Television Volume 9, Issue 3
Dir. John Hill et Julian Petley
Sujet : Pays > Grande-Bretagne
How Stage Playwrights Saved the British Cinema, 1930-1956 (2025)
The Well-Made Screenplay
de David Cottis
Sujet : Pays > Grande-Bretagne
Literature and Sound Film in Mid-Century Britain (2025)
Sujet : Pays > Grande-Bretagne
Adult Themes (2025)
British Cinema and the X Certificate in the Long 1960s
Dir. Anne Etienne, Benjamin Halligan et Christopher Weedman
Sujet : Pays > Grande-Bretagne
Killing Children in British Fiction (2025)
Thatcherism to Brexit
de Dominic Dean
Sujet : Pays > Grande-Bretagne
Soho on Screen (2025)
Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
de Jingan Young
Sujet : Pays > Grande-Bretagne
Beyond the BBFC (2025)
Local and regional film censorship in the UK
de Sian Barber
Sujet : Pays > Grande-Bretagne
Cinema, Culture, Scotland (2025)
Selected Essays
Dir. Colin McArthur et Jonathan Murray
Sujet : Pays > Grande-Bretagne
Visual Culture in the Northern British Archipelago (2024)
Imagining Islands
Dir. Ysanne Holt, David Martin-Jones et Owain Jones
Sujet : Pays > Grande-Bretagne
Uncanny Landscapes in 21st Century British Cinema
The Pestilence in the Ditch (livre en anglais)
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Description de l'ouvrage :
Considers how the use of landscape in British film can help form a sense of unease
• Discusses case studies of British films released in the first two decades of the twenty-first century, including Dead Man’s Shoes, the Red Riding Trilogy, Wuthering Heights, Kill List, Tyrannosaur, A Field in England and The Selfish Giant
• Explores how these films, through their use of landscape, both subvert and renew recognised modes of screen storytelling such as eerie, pastoral, heritage and epic
• Engages with scholars from a range of disciplinary areas – film studies, landscape and hauntology
A consideration of how some recent British films are defined by their atmospheres of unease, which grow out of a bold and distinctive treatment of landscape. An uncertain tendency in recent British cinema has been to conjure atmospheres of eerie unease, depicting landscapes through which lost figures wander.
The films of, among others, Andrea Arnold, Clio Barnard, Paddy Considine, Shane Meadows and Ben Wheatley play out against these landscapes, which are formed of abandoned sites that are neither rural nor urban, but somewhere in between. These liminal spaces are disorientating enclosures from which the viewer infers something malign: the pestilence in the ditch. These contaminated metaphysical spaces are travelled by the films’ characters and viewers alike.
Voir le site internet de l'éditeur Edinburgh University Press
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