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New Punk Cinema

(livre en anglais)

de Nicholas Rombes

Type
Etudes
Sujet
Genrecinéma indépendant
Mots Clés
cinéma indépendant
Année d'édition
2005
Editeur
Edinburgh University Press
Collection
Traditions in World Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 224 pages
15,5 x 23,5 cm
ISBN-10
ISBN-13
0-7486-2034-6
978-0-7486-2034-0
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Description de l'ouvrage :
New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.

New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.

Key Features
• Offers a comprehensive examination of the term 'new punk' cinema.
• Provides several new approaches for the study of digital cinema.
• Includes close analysis of several key new punk films and directors.

À propos de l'auteur :
Nicholas Rombes is an Associate Professor of English at the University of Detroit Mercy, where he co-founded the Electronic Critique Program.

Voir le site internet de l'éditeur Edinburgh University Press

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