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How Not to Make a Movie:An Independent Filmmaker in Hollywood Hell

How Not to Make a Movie (2020)

An Independent Filmmaker in Hollywood Hell

de William Robert Carey

Sujet : Genre > cinéma indépendant

The Talent Management of Indie Authorship:From American independent cinema and short “films” to pay-TV and streaming

The Talent Management of Indie Authorship (2024)

From American independent cinema and short “films” to pay-TV and streaming

de Andrew Stubbs-Lacy

Sujet : Genre > cinéma indépendant

Rewriting Indie Cinema:Improvisation, Psychodrama, and the Screenplay

Rewriting Indie Cinema (2019)

Improvisation, Psychodrama, and the Screenplay

de J. J. Murphy

Sujet : Genre > cinéma indépendant

The Stillness of Solitude:Romanticism and Contemporary American Independent Film

The Stillness of Solitude (2019)

Romanticism and Contemporary American Independent Film

de Michelle Devereaux

Sujet : Genre > cinéma indépendant

Engaging Dialogue:Cinematic Verbalism in American Independent Cinema

Engaging Dialogue (2018)

Cinematic Verbalism in American Independent Cinema

de Jennifer O'Meara

Sujet : Genre > cinéma indépendant

Indie Reframed:Women's Filmmaking and Contemporary American Independent Cinema

Indie Reframed (2016)

Women's Filmmaking and Contemporary American Independent Cinema

Dir. Linda Badley, Claire Perkins et Michele Schreiber

Sujet : Genre > cinéma indépendant

The American Film Institute and the Cultural Politics of Experimental and Independent Cinema

(livre en anglais)

de Gracia Ramirez

Type
Etudes
Sujet
Genrecinéma indépendant
Mots Clés
cinéma indépendant, économie, Etats-Unis
Année d'édition
2024 (20 mars 2024)
Editeur
Lexington Books
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 180 pages
16 x 23,5 cm
ISBN
978-1-6669-2807-5
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Description de l'ouvrage :
This book examines the role that the American Film Institute (AFI) had in supporting experimental and independent cinema at a key moment of change in the history of American film. Weaving a rich historical narrative, Ramirez argues that the Cold War struggle for cultural supremacy motivated the creation of the federally-funded AFI. Exploring the intersection of business interests and political objectives, Ramirez demonstrates how the AFI’s approach to experimental and independent cinema was marked by an interest in promoting innovative aesthetics and protecting the creative freedom of filmmakers but lacked the attention to distribution and exhibition that would strengthen the viability of experimental and independent filmmaking as professional practices. Scholars of film, history, and American studies will find this work particularly useful.

À propos de l'auteur :
Gracia Ramirez is senior lecturer in film and screen studies at University of the Arts London.

Revue de Presse :
By means of meticulous archival research, Gracia Ramirez rewrites a key period of American independent and experimental film. She depicts in detail both the forerunners for the American Film Institute and its coming into being, connecting institutions, persons, and policies. This important study shows not only how behind every independent film and filmmaker there is a web of institutions and policy-makers, but also how these are part of both national and international American political aspirations. The American Film Institute and the Cultural Politics of Experimental and Independent Cinema constitutes essential reading for everyone interested in the history of American experimental film and cultural policy in general.
-- John Sundholm, Stockholm University

Voir le site internet de l'éditeur Lexington Books

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