Les livres en français sont sur www.livres-cinema.info
MENU   

Fields of Vision

Essays in Film Studies, Visual Anthropology, and Photography (livre en anglais)

de Leslie Devereaux et Roger Hillman

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, image
Année d'édition
1995
Editeur
University of California Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 376 pages
15,5 x 23,5 cm
ISBN-10
ISBN-13
0-520-08524-8
978-0-520-08524-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures.

From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and societies. Always asking how images work to produce meaning, the essays address the way the "real" on film creates fantasy, news, as well as "science," and considers this problematic process as cultural boundaries are crossed. One essay discusses the effects of Hollywood's high-capital, world-wide commercial hegemony on local and non-Western cinemas, while another explores the response of indigenous people in central Australia to the forces of mass media and video. Other essays uncover the work of the unconscious in cinema, the shaping of "female spectatorship" by the "women's film" genre of the 1920s, and the effects of the personal and subjective in documentary films and the photographs of war reportage.

In illuminating dark, elided, or wilfully neglected areas of representation, these essays uncover new fields of vision.

Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires i

À propos des auteurs :
Leslie Devereaux is Lecturer in the Department of Archaeology and Anthropology, and Roger Hillman is Senior Lecturer in the Department of Modern European Languages, both at the Australian National University, Canberra.

Voir le site internet de l'éditeur University of California Press

> Sur un thème proche :

Depth Effects:Dimensionality from Camera to Computation

Depth Effects (2023)

Dimensionality from Camera to Computation

de Brooke Belisle

Sujet : Théorie

The Rhythm of Images:Cinema Beyond Measure

The Rhythm of Images (2021)

Cinema Beyond Measure

de Domietta Torlasco

Sujet : Théorie

Cinemachines:An Essay on Media and Method

Cinemachines (2020)

An Essay on Media and Method

de Garrett Stewart

Sujet : Théorie

History in Motion:Time in the Age of the Moving Image

History in Motion (2013)

Time in the Age of the Moving Image

de Sven Lütticken

Sujet : Théorie

Untimely Affects:Gilles Deleuze and an Ethics of Cinema

Untimely Affects (2013)

Gilles Deleuze and an Ethics of Cinema

de Nadine Boljkovac

Sujet : Théorie

Taking Place:Location and the Moving Image

Taking Place (2011)

Location and the Moving Image

Dir. John David Rhodes et Elena Gorfinkel

Sujet : Théorie

Seeing Things:From Shakespeare to Pixar

Seeing Things (2011)

From Shakespeare to Pixar

de Alan Ackerman

Sujet : Théorie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •