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Sur un thème proche :

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Depth Effects (2023)

Dimensionality from Camera to Computation

de Brooke Belisle

Sujet : Théorie

The Rhythm of Images:Cinema Beyond Measure

The Rhythm of Images (2021)

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Sujet : Théorie

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An Essay on Media and Method

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Sujet : Théorie

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Untimely Affects (2013)

Gilles Deleuze and an Ethics of Cinema

de Nadine Boljkovac

Sujet : Théorie

Taking Place:Location and the Moving Image

Taking Place (2011)

Location and the Moving Image

Dir. John David Rhodes et Elena Gorfinkel

Sujet : Théorie

Seeing Things:From Shakespeare to Pixar

Seeing Things (2011)

From Shakespeare to Pixar

de Alan Ackerman

Sujet : Théorie

The Face on the Screen:Death, Recognition & Spectatorship

The Face on the Screen (2003)

Death, Recognition & Spectatorship

de Therese Davis

Sujet : Théorie

History in Motion

Time in the Age of the Moving Image (livre en anglais)

de Sven Lütticken

Type
Essais
Sujet
Théorie
Mots Clés
théorie, image, Histoire du monde
Année d'édition
2013
Editeur
Sternberg Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 312 pages
14 x 22 cm
ISBN
978-3-943365-89-4
Appréciation
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Description de l'ouvrage :
The moving image has irrevocably redefined our experience and construction of history. In the contemporary economy of time, history has become an image in motion, a series of events animated and performed through various media. Analyzing a variety of films, video pieces, and performances, Sven L tticken evaluates the impact that our changing experience of time has had on the actualization of history in the present. In the process, he considers the role of shock and suspense, of play and games, the rise and ubiquity of television, transformed notions of leisure and labor time, and a new "natural history" marked by climate change.

The interplay between the time of daily life and historical time end between live event and mediatization is at the core of History in Motion. In this context, L tticken questions the relation between the representations or restagings of the past and the events of a history that is currently in progress. This history in motion constitutes a fractured present in which possible futures are implicit.

Voir le site internet de l'éditeur Sternberg Press

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