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32 New Takes on Taiwan Cinema
(livre en anglais)
Sous la direction de Emilie Yueh-yu Yeh, Darrell William Davis et Wenchi Lin
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Description de l'ouvrage :
Thirty-two New Takes on Taiwan Cinema covers thirty-two films from Taiwan, addressing a flowering of new talent, moving from art film to genre pictures, and nonfiction. Beyond the conventional framework of privileging “New and Post-New Cinema,” or prominence of auteurs or single films, this volume is a comprehensive, judicious take on Taiwan cinema that fills gaps in the literature, offers a renewed historiography, and introduces new creative force and voices of Taiwan’s moving image culture to produce a leading and accessible work on Taiwan film and culture.
Film-by-film is conceived as the main carrier of moving picture imagery for a majority of viewers, across the world. The curation offers an array of formal, historical, genre, sexual, social, and political frames, which provide a rich brew of contexts. This surfeit of meanings is carried by individual films, one by one, which breaks down abstractions into narrative bites and outsized emotions.
Voir le site internet de l'éditeur University of Michigan Press
> Des mêmes auteurs :
Early Film Culture in Hong Kong, Taiwan, and Republican China (2018)
Kaleidoscopic Histories
Dir. Emilie Yueh-yu Yeh
Picturing Japaneseness (1996)
Monumental Style, National Identity, Japanese Film
> Sur un thème proche :
Mapping Taiwanese Cinema, 2008-20 (2024)
Environments, Poetics, Practice
Taiwan Cinema as Soft Power (2022)
Authorship, Transnationality, Historiography
Taiwan Cinema (2019)
International Reception and Social Change
Dir. Kuei-fen Chiu, Ming-yeh Rawnsley et Gary Rawnsley
Film Production and Consumption in Contemporary Taiwan (2016)
Cinema as a Sensory Circuit
de Ya-Feng Mon
Translingual Narration (2015)
Colonial and Postcolonial Taiwanese Fiction and Film
New Taiwanese Cinema in Focus (2014)
Moving Within and Beyond the Frame
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