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Sur un thème proche :

Absence in Cinema:The Art of Showing Nothing

Absence in Cinema (2020)

The Art of Showing Nothing

de Justin Remes

Sujet : Genre > Expérimental

Process Cinema:Handmade Film in the Digital Age

Process Cinema (2019)

Handmade Film in the Digital Age

Dir. Scott MacKenzie et Janine Marchessault

Sujet : Genre > Expérimental

Futurist Cinema:Studies on Italian Avant-garde Film

Futurist Cinema (2018)

Studies on Italian Avant-garde Film

Dir. Rossella Catanese

Sujet : Genre > Expérimental

Hamilton Babylon:A History of the Mcmaster Film Board

Hamilton Babylon (2016)

A History of the Mcmaster Film Board

de Stephen Broomer

Sujet : Genre > Expérimental

Motion(less) Pictures:The Cinema of Stasis

Motion(less) Pictures (2015)

The Cinema of Stasis

de Justin Remes

Sujet : Genre > Expérimental

Shadows, Specters, Shards

Making History In Avant-Garde Film (livre en anglais)

de Jeffrey Skoller

Type
Etudes
Sujet
GenreExpérimental
Mots Clés
expérimental, avant-garde, Histoire du monde
Année d'édition
2005
Editeur
University of Minnesota Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 264 pages
18 x 25,5 cm
ISBN-10
ISBN-13
0-8166-4232-X
978-0-8166-4232-8
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Description de l'ouvrage :
Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and our experience of the present than conventional documentaries and historical films. Shadows, Specters, Shards examines a group of experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up historical events such as the Holocaust, Latin American independence struggles, and urban politics. Identifying a cinema of evocation rather than representation, these films call attention to the unrepresentable aspects of history that profoundly impact the experience of everyday life. Making use of the critical theories of Walter Benjamin and Gilles Deleuze, among others, Skoller analyzes various narrative strategies - allegory, sideshadowing, testimony, and multiple temporalities - that uncover competing perspectives and gaps in historical knowledge often ignored in conventional film. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Skoller reveals how a nuanced understanding of the past is inextricably linked to the artistry of image making and storytelling.

À propos de l'auteur :
Filmmaker Jeffrey Skoller is associate professor of film, video, and new media at the School of the Art Institute of Chicago. His visual works have been exhibited at the Whitney Museum of American Art, Arsenal Kino (Berlin), Latin American Film Festival (Havana), and National Film Theatre (London), among others, and his essays have appeared in DISCOURSE, New Art Examiner, Afterimage, and Film Quarterly.

Voir le site internet de l'éditeur University of Minnesota Press

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