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Sur un thème proche :

Hitler's Heroines:Stardom & Womanhood In Nazi Cinema

Hitler's Heroines (2003)

Stardom & Womanhood In Nazi Cinema

de Antje Ascheid

Sujet : Pays > Allemagne

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Women in Weimar Fashion (2011)

Discourses and Displays in German Culture, 1918-1933

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Triangulated Visions (1998)

Women in Recent German Cinema

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Sujet : Pays > Allemagne

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Joyless Streets (1989)

Women and Melodramatic Representation in Weimar Germany

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Sujet : Pays > Allemagne

Mad Mädchen:Feminism and Generational Conflict in Recent German Literature and Film

Mad Mädchen (2019)

Feminism and Generational Conflict in Recent German Literature and Film

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Sujet : Pays > Allemagne

Women's Film Authorship in Neoliberal Times:Revisiting Feminism and German Cinema

Women's Film Authorship in Neoliberal Times (2018)

Revisiting Feminism and German Cinema

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Sujet : Pays > Allemagne

Politics of the Self:Feminism and the Postmodern in West German Literature and Film

Politics of the Self (2014)

Feminism and the Postmodern in West German Literature and Film

de Richard W. McCormick

Sujet : Pays > Allemagne

Cinematically Transmitted Disease:Eugenics and Film in Weimar and Nazi Germany

Cinematically Transmitted Disease (2024)

Eugenics and Film in Weimar and Nazi Germany

de Barbara Hales

Sujet : Pays > Allemagne

On Screen and Off:Cinema and the Making of Nazi Hamburg

On Screen and Off (2022)

Cinema and the Making of Nazi Hamburg

de Anne Berg

Sujet : Pays > Allemagne

Feminism, Film, Fascism

Women's Auto/Biographical Film in Postwar Germany (livre en anglais)

de Susan E. Linville

Type
Etudes
Sujet
PaysAllemagne
Mots Clés
Allemagne, femmes, féminisme, idéologie nazie
Année d'édition
1998
Editeur
University of Texas Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 208 pages
15,5 x 21,5 cm
ISBN-10
ISBN-13
0-274-70528-1
978-0-274-70528-3
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Description de l'ouvrage :
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s.

After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.

Voir le site internet de l'éditeur University of Texas Press

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