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Women in Weimar Fashion:Discourses and Displays in German Culture, 1918-1933

Women in Weimar Fashion (2011)

Discourses and Displays in German Culture, 1918-1933

de Mila Ganeva

Sujet : Pays > Allemagne

Film Societies in Germany and Austria 1910-1933:Tracing the Social Life of Cinema

Film Societies in Germany and Austria 1910-1933 (2023)

Tracing the Social Life of Cinema

de Michael Cowan

Sujet : Pays > Allemagne

The Hygienic Apparatus:Weimar Cinema and Environmental Disorder

The Hygienic Apparatus (2022)

Weimar Cinema and Environmental Disorder

de Paul Dobryden

Sujet : Pays > Allemagne

The Long Century's Long Shadow:Weimar Cinema and the Romantic Modern

The Long Century's Long Shadow (2021)

Weimar Cinema and the Romantic Modern

de Kenneth S. Calhoon

Sujet : Pays > Allemagne

Weimar Cinema, Embodiment, and Historicity:Cultural Memory and the Historical Films of Ernst Lubitsch

Weimar Cinema, Embodiment, and Historicity (2019)

Cultural Memory and the Historical Films of Ernst Lubitsch

de Mason Kamana Allred

Sujet : Pays > Allemagne

Cinematography in the Weimar Republic:Lola Lola, Dirty Singles, and the Men Who Shot Them

Cinematography in the Weimar Republic (2018)

Lola Lola, Dirty Singles, and the Men Who Shot Them

de Paul Matthew St. Pierre

Sujet : Pays > Allemagne

Joyless Streets

Women and Melodramatic Representation in Weimar Germany (livre en anglais)

de Patrice Petro

Type
Etudes
Sujet
PaysAllemagne
Mots Clés
Allemagne, République de Weimar, femmes, sociologie
Année d'édition
1989
Editeur
Princeton University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 272 pages
16,5 x 25 cm
ISBN-10
ISBN-13
0-691-00830-2
978-0-691-00830-1
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Description de l'ouvrage :
Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question.

Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times.

Voir le site internet de l'éditeur Princeton University Press

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