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Women Filmmakers in Mexico
The Country of Which We Dream (livre en anglais)
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Description de l'ouvrage :
Women filmmakers in Mexico were rare until the 1980s and 1990s, when women began to direct feature films in unprecedented numbers. Their films have won acclaim at home and abroad, and the filmmakers have become key figures in contemporary Mexican cinema. In this book, Elissa Rashkin documents how and why women filmmakers have achieved these successes, as she explores how the women's movement, film studies programs, governmental film policy, and the transformation of the intellectual sector since the 1960s have all affected women's filmmaking in Mexico.
After a historical overview of Mexican women's filmmaking from the 1930s onward, Rashkin focuses on the work of five contemporary directors—Marisa Sistach, Busi Cortés, Guita Schyfter, María Novaro, and Dana Rotberg. Portraying the filmmakers as intellectuals participating in the public life of the nation, Rashkin examines how these directors have addressed questions of national identity through their films, replacing the patriarchal images and stereotypes of the classic Mexican cinema with feminist visions of a democratic and tolerant society.
Voir le site internet de l'éditeur University of Texas Press
> Sur un thème proche :
La India María (2018)
Mexploitation and the Films of María Elena Velasco
Cinema and the Second Sex (2001)
women's filmmaking in France in the 1980s and 1990s
de Carrie Tarr et Brigitte Rollet
Spectacle Every Day / Espectáculo a diario (2023)
Essays on classical Mexican cinema 1940-1969
Dir. Díaz de la Vega Alonso et Jorge Javier Negrete Camacho
(en anglais et espagnol)
Woman-Centered Brazilian Cinema (2023)
Filmmakers and Protagonists of the Twenty-First Century
Dir. Jack A. Draper III et Cacilda M. Rêgo
Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino et Brian Price
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Tastemakers and Tastemaking (2021)
Mexico and Curated Screen Violence
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