Les livres en français sont sur www.livres-cinema.info
La India María
Mexploitation and the Films of María Elena Velasco (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
La India María—a humble and stubborn indigenous Mexican woman—is one of the most popular characters of the Mexican stage, television, and film. Created and portrayed by María Elena Velasco, La India María has delighted audiences since the late 1960s with slapstick humor that slyly critiques discrimination and the powerful. At the same time, however, many critics have derided the iconic figure as a racist depiction of a negative stereotype and dismissed the India María films as exploitation cinema unworthy of serious attention. By contrast, La India María builds a convincing case for María Elena Velasco as an artist whose work as a director and producer—rare for women in Mexican cinema—has been widely and unjustly overlooked.
Drawing on extensive interviews with Velasco, her family, and film industry professionals, as well as on archival research, Seraina Rohrer offers the first full account of Velasco’s life; her portrayal of La India María in vaudeville, television, and sixteen feature film comedies, including Ni de aquí, ni de allá [Neither here, nor there]; and her controversial reception in Mexico and the United States. Rohrer traces the films’ financing, production, and distribution, as well as censorship practices of the period, and compares them to other Mexploitation films produced at the same time. Adding a new chapter to the history of a much-understudied period of Mexican cinema commonly referred to as “la crisis,” this pioneering research enriches our appreciation of Mexploitation films.
À propos de l'auteur :
Seraina Rohrer heads the Solothurn Film Festival, one of Switzerland’s leading cultural events. She holds a PhD in film studies from the University of Zurich and has been a visiting scholar at the Chicano Studies Research Center of UCLA, where she conducted her research for this book.
Revue de Presse :
Rohrer has produced a genuinely ground-breaking account of popular Mexican cinema through the prism of this specific director-producer-star.
— The Year's Work in Critical and Cultural Theory
Rohrer charts the rise of [María Elena] Velasco from vaudeville performer to comedic icon...The film historical interventions of the project are the book’s strength, but Rohrer’s project of recovery also discusses the narratives of Velasco’s films in relation to Mexploitation tropes and genres in order to identify the different symbolic functions of her India María character.
— Revista de Esudios Hispánicos
Voir le site internet de l'éditeur University of Texas Press
> Sur un thème proche :
Women Filmmakers in Mexico (2001)
The Country of Which We Dream
Woman-Centered Brazilian Cinema (2023)
Filmmakers and Protagonists of the Twenty-First Century
Dir. Jack A. Draper III et Cacilda M. Rêgo
Spectacle Every Day / Espectáculo a diario (2023)
Essays on classical Mexican cinema 1940-1969
Dir. Díaz de la Vega Alonso et Jorge Javier Negrete Camacho
(en anglais et espagnol)
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino et Brian Price
Tastemakers and Tastemaking (2021)
Mexico and Curated Screen Violence
Retour
