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Locating Taiwan Cinema in the Twenty-First Century
(livre en anglais)
Sous la direction de Paul G. Pickowicz et Yingjin Zhang
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Description de l'ouvrage :
Twenty-first-century Taiwan has been evolving in fascinating and complicated ways, in terms of culture, economy, politics, and society. This has led to renewed tensions in relations between the government of mainland China and various camps in Taiwan. In Taiwan, these tensions often focus on issues of identity. Who are the Taiwanese? How are the Taiwanese different from regional and global communities? How are the Taiwanese connected to these communities? Business leaders, factory workers, farmers, and migrants have their opinions. Cultural producers, including filmmakers and pop musicians, offer unique perspectives. Political parties, functioning in a democratic environment, fiercely debate these issues. Remarkably diverse ethnic groups contribute to this ongoing dialogue. This complex twenty-first-century debate in Taiwan is a politically healthy one that takes place both on and off screen.
There has been much discussion of New Wave Taiwan cinema of the 1980s and 1990s, including research that studies the pathbreaking contributions of acclaimed directors like Hou Hsiao-hsien. This book updates the scholarship on Taiwan cinema by taking it into the twenty-first century. It is the first book to take a multidisciplinary approach to evaluating recent Taiwan films. The authors are specialists in cultural studies, history, and the social sciences, and they use different film materials and methodologies to analyze the ways in which filmmakers deal with the evolution of Taiwan’s society, economy, and culture in the new century. The emphasis is placed on the diversity of approaches that characterize recent Taiwan cinema. Taiwanese filmmakers use many forms and genres to tackle pressing issues. In sharp contrast to the late-twentieth-century New Wave filmmakers who were widely regarded as producing “art films” that had little impact on the domestic market, many recent Taiwan films have enjoyed huge commercial success in Taiwan.
This book probes many crucial controversies: What are Taiwan’s meaningful cultural and historical connections to Japan? How do Taiwanese filmmakers and audiences feel about mainland China? How does Taiwan cinema deal with environmental issues, animal rights, human trafficking, sexuality, and the challenges facing ethnic minorities?
Locating Twenty-First-Century Taiwan Cinema is an important book for collections in Asian studies, film studies, and the social sciences.
Voir le site internet de l'éditeur Cambria Press
> Des mêmes auteurs :
Screening China (2001)
Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema
> Sur un thème proche :
Mapping Taiwanese Cinema, 2008-20 (2024)
Environments, Poetics, Practice
Taiwan Cinema as Soft Power (2022)
Authorship, Transnationality, Historiography
Taiwan Cinema (2019)
International Reception and Social Change
Dir. Kuei-fen Chiu, Ming-yeh Rawnsley et Gary Rawnsley
Film Production and Consumption in Contemporary Taiwan (2016)
Cinema as a Sensory Circuit
de Ya-Feng Mon
Translingual Narration (2015)
Colonial and Postcolonial Taiwanese Fiction and Film
New Taiwanese Cinema in Focus (2014)
Moving Within and Beyond the Frame
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