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Bride of Frankenstein

(livre en anglais)

de Shane Denson

Type
Etudes
Sujet
Un FilmLa Fiancée de Frankenstein
Mots Clés
James Whale
Année d'édition
2025 (09 septembre 2025) (à paraître)
Editeur
Lever Press
Collection
film|minutes
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 235 pages
16,5 x 23 cm
ISBN
978-1-64315-084-0
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Description de l'ouvrage :
The inaugural volume in the film|minutes book series, this book offers a close, minute-by-minute analysis of director James Whale’s iconic 1935 masterpiece Bride of Frankenstein. Alternating between a variety of analytical lenses, including descriptive, historical, and philosophical, this study breaks from conventional forms of film-analytical writing and offers an experiment in defamiliarization and looking anew. In the 1930s, the film opened a space for reflection on the rapid normalization of filmic sound, which it both relies on and estranges. In the 2020s, Bride of Frankenstein brings forth questions of new technological mediums such as artificial intelligence and the transformation of human agency. Shane Denson argues that such associations should not be written off as mere anachronism, but seen, rather, as a strategy of serialization; that is, it is by means of such anachronism that a film like Bride of Frankenstein remains open to new developments and novel situations, and thus comes alive for future viewers.

Volumes in the film|minutes series cut up films into segments of exactly one minute and transform each minute into an innovative tool for thinking with the film. Each volume works rigorously with the concept of “the minute” as a non-cinematic scale/quantity, a means to zoom in on (dis)orderly fragments that do not necessarily respect the confinements of cinematic form or meaning. As a critical practice, the focus on minutes causes disruptions and displacement that create novel connections and perspectives, and uncovers hidden traces, making it possible to watch each film anew.

À propos de l'auteur :
Shane Denson is Professor of Film and Media Studies, and by courtesy, of German Studies and of Communication at Stanford University, where he also serves as Director of the Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms.

Voir le site internet de l'éditeur Lever Press

Voir la fiche de La Fiancée de Frankenstein (1935) sur le site IMDB ...

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Postnaturalism:Frankenstein, Film, and the Anthropotechnical Interface

Postnaturalism (2014)

Frankenstein, Film, and the Anthropotechnical Interface

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Sujet : Théorie

> Sur un thème proche :

The Frankenstein Archive:Essays on the Monster, the Myth, the Movies, and More

The Frankenstein Archive (2002)

Essays on the Monster, the Myth, the Movies, and More

de Donald F. Glut

Sujet : Un Film > Frankenstein

James Whale:A New World of Gods and Monsters

James Whale (2003)

A New World of Gods and Monsters

de James Curtis

Sujet : Réalisateur > James Whale

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