Books in French are on www.livres-cinema.info
MENU   

Bride of Frankenstein

by Shane Denson

Type
Studies
Subject
One FilmBride of Frankenstein
Keywords
James Whale
Publishing date
2025 (September 09, 2025) (Upcoming)
Publisher
Lever Press
Collection
film|minutes
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 235 pages
6 ½ x 9 inches (16.5 x 23 cm)
ISBN
978-1-64315-084-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
The inaugural volume in the film|minutes book series, this book offers a close, minute-by-minute analysis of director James Whale’s iconic 1935 masterpiece Bride of Frankenstein. Alternating between a variety of analytical lenses, including descriptive, historical, and philosophical, this study breaks from conventional forms of film-analytical writing and offers an experiment in defamiliarization and looking anew. In the 1930s, the film opened a space for reflection on the rapid normalization of filmic sound, which it both relies on and estranges. In the 2020s, Bride of Frankenstein brings forth questions of new technological mediums such as artificial intelligence and the transformation of human agency. Shane Denson argues that such associations should not be written off as mere anachronism, but seen, rather, as a strategy of serialization; that is, it is by means of such anachronism that a film like Bride of Frankenstein remains open to new developments and novel situations, and thus comes alive for future viewers.

Volumes in the film|minutes series cut up films into segments of exactly one minute and transform each minute into an innovative tool for thinking with the film. Each volume works rigorously with the concept of “the minute” as a non-cinematic scale/quantity, a means to zoom in on (dis)orderly fragments that do not necessarily respect the confinements of cinematic form or meaning. As a critical practice, the focus on minutes causes disruptions and displacement that create novel connections and perspectives, and uncovers hidden traces, making it possible to watch each film anew.

About the Author:
Shane Denson is Professor of Film and Media Studies, and by courtesy, of German Studies and of Communication at Stanford University, where he also serves as Director of the Program in Modern Thought & Literature. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms.

See the publisher website: Lever Press

See Bride of Frankenstein (1935) on IMDB ...

> Books with the same or similar title:

> From the same author:

Postnaturalism:Frankenstein, Film, and the Anthropotechnical Interface

Postnaturalism (2014)

Frankenstein, Film, and the Anthropotechnical Interface

by Shane Denson

Subject: Theory

> On a related topic:

The Frankenstein Archive:Essays on the Monster, the Myth, the Movies, and More

The Frankenstein Archive (2002)

Essays on the Monster, the Myth, the Movies, and More

by Donald F. Glut

Subject: One Film > Frankenstein

James Whale:A New World of Gods and Monsters

James Whale (2003)

A New World of Gods and Monsters

by James Curtis

Subject: Director > James Whale

12164 books listed   •   (c)2024-2025 cinemabooks.info   •