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Japanese and Hong Kong Film Industries
Understanding the Origins of East Asian Film Networks (livre en anglais)
de Yau Shuk-ting et Kinnia
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Description de l'ouvrage :
Drawing on first-hand materials collected from the Chinese and Japanese literature as well as interviews with more than twenty filmmakers and scholars Kinnia Shuk-ting Yau provides a solid historical account of the complex interactions between Japanese and Hong Kong film industries from the 1930s to 1970s.
The author describes in detail how Japan’s efforts during the 1930s and 1940s to produce a "Greater East Asian cinema" led to many different kinds of collaborations between the filmmakers from China, Hong Kong and Japan, and how such development had laid the foundation for more exchanges between the cinemas in the post-war period. The period covered by the book is the least understood period of the East Asian film history. Filling the gaps surrounding one of the most important but least understood periods of Asian film history this books discusses facts and resources once obscured by controversial issues related to wartime affairs with new insights and perspectives.
This book is an invaluable source of information for understanding how the current East Asian film networks came into existence by looking beyond conventional single-case studies and adopting a transnational perspective in tracing the connections between different film industries.
À propos des auteurs :
Dr. YAU Shuk-ting, Kinnia is Associate Professor at the Department of Japanese Studies, The Chinese University of Hong Kong.
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
Coproducing Asia (2014)
Locating Japanese-Chinese Regional Film and Media
Rising Sun, Divided Land (2013)
Japanese and South Korean Filmmakers
Cinematic Landscapes (2000)
Observations on the Visual Arts and Cinema of China and Japan
Dir. Linda C. Ehrlich et David Desser
Early Film Culture in Hong Kong, Taiwan, and Republican China (2018)
Kaleidoscopic Histories
Dir. Emilie Yueh-yu Yeh
Women in East Asian Cinema (2025)
Gender Representations, Creative Labour and Global Histories
Dir. Felicia Chan, Fraser Elliott et Andrew Willis
The Language of Food (2024)
Through the Lens of East Asian Films and Drama
de Jieun Kiaer, Loli Kim et Niamh Calway
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