Cinema, Memory, Modernity

The Representation of Memory from the Art Film to Transnational Cinema (livre en anglais)

Ajouter à ma liste

de Russell J. A. Kilbourn

Type: Etudes
Sujet: Sociologie
Mots Clés: mémoire, rôle du cinéma
Année d'édition: 2012
1ere édition: 2010
Editeur: Routledge
Collection: Routledge Advances in Film Studies
Langue: anglais

Taille du livre

Format

Broché • 288 pages
16 x 24 cm

ISBN

978-0-415-52030-0

Appréciation

(0 vote)

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.

À propos de l'auteur :
Russell J.A. Kilbourn is Assistant Professor of English and Film Studies at Wilfrid Laurier University.

Revue de Presse :
'Cinema, Memory Modernity: The Representation of Memory from the Art Film to Transnational Cinema is a detailed, insightful and, at times, brilliantly perceptive view of this difficult and expansive subject. Kilbourn's choices are certainly representative of memory in post-World War II cinema.[...] Kilbourn's analysis of memory in the cinema, an ongoing theoretical debate often full of incompatibilities and abstractions, is lucidly argued in relation to the ideas of the theorists with whom he either agrees or disagrees. This book provides an engaging read for those who are interested in this aspect of cinema, but will also appeal to scholars of modernity and philosophy at the same time.'
Alphaville: Journal of Film and Screen Media

'Cinema, Memory, Modernity alternates between mourning the passing of the ‘modern’ moment of
art cinema and a feisty denunciation of a global post-modern malaise in which subjective meanings
have become disguised as collectively globalized through an ever-present visuality. While the
implications of this affective framework remain largely outside of the critical scope of the book,
the text’s lament and yearning take the shape of a plethora of original theoretical observations and
provocative analyses of specific films that make the book a very important addition to the study of
memory at the intersection of film and modernity.'
Adrián Pérez Melgosa, SUNY Stony Brook

Voir le site internet de l'éditeur Routledge

> Du même auteur :