Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
The History of German Literature on Film (2025)
Sujet : Technique > Adaptation
Film Adaptations of Russian Classics (2024)
Dialogism and Authorship
Dir. Alexandra Smith et Olga Sobolev
Sujet : Technique > Adaptation
English Classics in Audiovisual Translation (2024)
Dir. Irene Ranzato et Luca Valleriani
Sujet : Technique > Adaptation
Hemingway and Film (2024)
Reflections on Teaching, Reading, and Understanding
Dir. Cam Cobb et Marc K. Dudley
Sujet : Technique > Adaptation
Retelling Jane Austen (2024)
Essays on Recent Adaptations and Derivative Works
Dir. Tammy Powley et April Van Camp
Sujet : Technique > Adaptation
Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
de James Newlin
Sujet : Technique > Adaptation
Dante on View
The Reception of Dante in the Visual and Performing Arts (livre en anglais)
Sous la direction de Antonella Braida et Luisa Calè
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
À propos des auteurs :
Dr Antonella Braida is lecturer in Italian at the University of Durham, UK.
Dr Luisa Calè is a lecturer in the School of English and Humanities at Birkbeck College, University of London, UK.
Retour
