Les livres en français sont sur www.livres-cinema.info
MENU   

Partition Literature and Cinema

A Critical Introduction (livre en anglais)

Sous la direction de Jaydip Sarkar et Rupayan Mukherjee

Type
Etudes
Sujet
PaysInde
Mots Clés
Inde, Pakistan, cultures nationales
Année d'édition
2020
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 194 pages
16 x 24 cm
ISBN
978-0-367-49274-8
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
This book studies literary and cinematic representations of the Partition of India. It discusses Partition as not just an immediate historical catastrophe but as a lingering cultural presence and consequently a potent trope in literary and visual representations. The volume features essays on key texts – written and visual – including Train to Pakistan, "Toba Tek Singh", Basti, Garm Hava, Pinjar, among others.

Partition Literature and Cinema will be indispensable introductory reading for students and researchers of modern Indian history, Partition studies, literature, film studies, media and cultural studies, popular culture and performance, postcolonial studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

À propos des auteurs :
Jaydip Sarkar is Associate Professor at the Department of English, University B.T. & Evening College, West Bengal, India. He has edited and co-edited several books including Writing Difference: Nationalism, Identity and Literature (2014), Unmasking Power: Subjectivity and Resistance in Indian Drama in English (2014) and A Handbook of Rhetoric and Prosody (2018). Rupayan Mukherjee is Teaching Assistant at the Department of English, University B.T. & Evening College, West Bengal, India. His research interests include modernism, postmodern studies and South Asian literature.

Voir le site internet de l'éditeur Routledge

> Sur un thème proche :

The Vanishing Point:Moving Images After Video

The Vanishing Point (2022)

Moving Images After Video

de Rashmi Sawhney

Sujet : Pays > Inde

Framing the Nation:Languages of 'Modernity' in India

Framing the Nation (2011)

Languages of 'Modernity' in India

de Ajanta Sircar

Sujet : Pays > Inde

Understanding Indian Movies:Culture, Cognition, and Cinematic Imagination

Understanding Indian Movies (2008)

Culture, Cognition, and Cinematic Imagination

de Patrick Colm Hogan

Sujet : Pays > Inde

The Cinematic ImagiNation:Indian Popular Films as Social History

The Cinematic ImagiNation (2003)

Indian Popular Films as Social History

de Jyotika Virdi

Sujet : Pays > Inde

Crossover Stars in the Hindi Film Industry:Globalizing Pakistani Identity

Crossover Stars in the Hindi Film Industry (2020)

Globalizing Pakistani Identity

de Dina Khdair

Sujet : Pays > Asie du sud

Filming the Line of Control:The Indo–Pak Relationship through the Cinematic Lens

Filming the Line of Control (2019)

The Indo–Pak Relationship through the Cinematic Lens

Dir. Meenakshi Bharat et Nirmal Kumar

Sujet : Pays > Asie du sud

11811 livres recensés   •   (c)2024-2025 cinemabooks.info   •