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Fantastic Spaces

Irish Cinema and the Supernatural (livre en anglais)

de Matthew J. Fee

Type
Etudes
Sujet
PaysIrlande
Mots Clés
Irlande, paranormal
Année d'édition
2025 (15 août 2025) (à paraître)
Editeur
Syracuse University Press
Collection
Irish Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 306 pages
15 x 23 cm
ISBN
978-0-8156-3863-6
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Description de l'ouvrage :
While the connection between Ireland and the otherworldly has long been a staple of literature and the arts, it finds its most consistent and compelling expression in the medium of cinema. In the first comprehensive scholarly study of the fantastic in Irish film, Fantastic Spaces explores how the spatial dimensions of supernatural phenomena in Irish cinema interpret and engage with the dynamic changes that have swept across Ireland over the past four decades. Drawing on a wide range of both canonical and lesser-known Irish films, Matthew J. Fee closely examines how the fantastic—including a multiplicity of supernatural occurrences and creatures drawn from Irish folklore as well as global popular culture—functions to make meaning across a period of profound social, political, and cultural transformation in Ireland. From providing platforms for female agency and interrogating rural heritage and nostalgia, to articulating anxieties over modernization and globalization and questioning national identities, the fantastic spaces of Irish cinema reveal a sophisticated capacity to grapple with the complexities and contradictions of historical change.

À propos de l'auteur :
Matthew J. Fee is a lecturer and director of Le Moyne College’s Integral Honors Program. He has published and presented on Irish cinema, television, and visual culture, as well as contemporary documentary and horror films.

Revue de Presse :
A valuable alternative take on Irish cinema that is original and focused. ― Ruth Barton, author of Irish Cinema in the Twenty-First Century

This is an exciting, well researched and original piece of work that seeks to productively bring into conversation a wide range of films from across the [relatively short] history of Irish film. ― Tony Tracy, author of White Cottage, White House: Irish American Masculinities in Classical Hollywood Cinema

Voir le site internet de l'éditeur Syracuse University Press

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