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Fantastic Spaces

Irish Cinema and the Supernatural

by Matthew J. Fee

Type
Studies
Subject
CountriesIreland
Keywords
Ireland, paranormal
Publishing date
2025 (August 15, 2025) (Upcoming)
Publisher
Syracuse University Press
Collection
Irish Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 306 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-8156-3863-6
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Book Presentation:
While the connection between Ireland and the otherworldly has long been a staple of literature and the arts, it finds its most consistent and compelling expression in the medium of cinema. In the first comprehensive scholarly study of the fantastic in Irish film, Fantastic Spaces explores how the spatial dimensions of supernatural phenomena in Irish cinema interpret and engage with the dynamic changes that have swept across Ireland over the past four decades. Drawing on a wide range of both canonical and lesser-known Irish films, Matthew J. Fee closely examines how the fantastic—including a multiplicity of supernatural occurrences and creatures drawn from Irish folklore as well as global popular culture—functions to make meaning across a period of profound social, political, and cultural transformation in Ireland. From providing platforms for female agency and interrogating rural heritage and nostalgia, to articulating anxieties over modernization and globalization and questioning national identities, the fantastic spaces of Irish cinema reveal a sophisticated capacity to grapple with the complexities and contradictions of historical change.

About the Author:
Matthew J. Fee is a lecturer and director of Le Moyne College’s Integral Honors Program. He has published and presented on Irish cinema, television, and visual culture, as well as contemporary documentary and horror films.

Press Reviews:
A valuable alternative take on Irish cinema that is original and focused. ― Ruth Barton, author of Irish Cinema in the Twenty-First Century

This is an exciting, well researched and original piece of work that seeks to productively bring into conversation a wide range of films from across the [relatively short] history of Irish film. ― Tony Tracy, author of White Cottage, White House: Irish American Masculinities in Classical Hollywood Cinema

See the publisher website: Syracuse University Press

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