Books in French are on www.livres-cinema.info
Vital Crises in Italian Cinema
Iconography, Stylistics, Politics
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
• Presents a highly readable survey of the seminal works in Italian cinema
• Demonstrates the cultural, political, and historical factors that influenced Italian film
• Include over forty illustrations from films by Pasolini, De Sica, Antonioni, and Fellini
• Updated with a new epilogue that extends the study's range into the 1970s
First published in 1995 b, P. Adams Sitney's Vital Crises in Italian Cinema has become a work of enduring importance in the study of Italian films produced from 1945-1963. Examining over twenty key works of the period, Sitney identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini. The debate over regional dialects and a unified national language find reflection in Visconti's La terra trema and its source, the novel I Malavoglia. The father-son relationship serves as an opportunity to consider the tension between filial loyalty and individuality in works such as Uccellacci e uccellini and Ladri di biciclette. Romantic love juxtaposed with lust against the background of Roman Catholic iconography exemplifies another recurring predicament in the nation's cinema. Rocco i suoi fratelli, La dolce Vita, and Accatone all feature female and male characters grappling with the idea of woman as either the epitome of Marian virtue or Magdalene-like sexuality. With each film under discussion, Sitney provides the relevant political and cultural context to demonstrate how the changes in Italian life found their way into cinematic art. A new afterword extends the range of the study to the early 1970s, as it considers the pastoral ideal deflated by urban reality in Padre Padrone and L'albero degli zoccoli.
About the Author:
P. Adams Sitney, Professor of Visual Art, Princeton University P. Adams Sitney is a Professor of Visual Art at Princeton University. He has taught at Bard College, New York University, The Cooper Union, The School of the Art Institute of Chicago, and the School of Visual Arts. He is the author of Visionary Film: The American Avan-Garde 1943-1200; Modernist Montage: The Obscurity of Vision in Film and Literature; and he edited the Film Culture Reader; The Essential Cinema; The Avant-Garde Film; and Stan Brakhage's Metaphors on Vision. In 1969 he co-founded Anthology Film Archives in New York.
Press Reviews:
"Vital Crises in Italian Cinema is characterized by an extremely sensitive attention to aesthetic issues. It is one of the very few books on Italian cinema that manages to put politics and art, film and society, together intelligently. Its new epilogue brings it ahead to another important milestone in the development of Italian film history." - Peter Bonadella, author of A History of Italian Cinema
See the publisher website: Oxford University Press
> From the same author:
Film as Film (2014)
The Collected Writings of Gregory J. Markopoulos
Dir. Gregory J. Markopoulos, Mark Webber and P. Adams Sitney
Subject: Director > Gregory J. Markopoulos
Eyes Upside Down (2008)
Visionary Filmmakers and the Heritage of Emerson
Subject: Genre > Experimental
> On a related topic:
Traveling Auteurs (2024)
The Geopolitics of Postwar Italian Cinema
Cinema Is the Strongest Weapon (2023)
Race-Making and Resistance in Fascist Italy
Pasta, Pizza and Propaganda (2022)
A Political History of Italian Food TV
Mussolini's Dream Factory (2015)
Film Stardom in Fascist Italy
Schooling in Modernity (2014)
The Politics of Sponsored Films in Postwar Italy
Back
