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Eyes Upside Down
Visionary Filmmakers and the Heritage of Emerson
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Book Presentation:
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.
About the Author:
P. Adams Sitney is a Professor of Visual Art at Princeton University. He has taught at Bard College, New York University, The Cooper Union, The School of the Art Institute of Chicago, and the School of Visual Arts. He is the author of Visionary Film: The American Avan-Garde 1943-1200; Modernist Montage: The Obscurity of Vision in Film and Literature; Vital Crises in Italian Cinema; and he edited the Film Culture Reader; The Essential Cinema; The Avant-Garde Film; and Stan Brakhage's Metaphors on Vision. In 1969 he co-founded Anthology Film Archives in New York.
See the publisher website: Oxford University Press
> From the same author:
Film as Film (2014)
The Collected Writings of Gregory J. Markopoulos
Dir. Gregory J. Markopoulos, Mark Webber and P. Adams Sitney
Subject: Director > Gregory J. Markopoulos
Vital Crises in Italian Cinema (2013)
Iconography, Stylistics, Politics
> On a related topic:
The Melancholy Lens (2021)
Loss and Mourning in American Avant-Garde Cinema
by Tony Pipolo
Subject: Genre > Experimental
Expanding Cinemas (2024)
Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960
Subject: Genre > Experimental
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