Film and Faith
Modern Cinema and the Struggle to Believe
by Micah Watson and Carson Holloway
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Film and Faith: Modern Cinema and the Struggle to Believe explores religious themes in contemporary film with a focus on recent depictions of religion’s continuing manifestations in a secularizing age. The contributors are students of philosophy, political theory, and theology; examine religious and philosophical ideas in commercially and artistically important modern films. They offer a scholarly yet accessible considerations of contemporary films exploring the problem of faith in the modern world. The approach is balanced: sympathetic but not uncritical, reflecting a complexity in the minds of the contributors themselves. While they are religious believers, nonetheless established scholars trained in mainstream academic disciplines. The chapters cover cinema that are important in different ways, and that represent different genres: from the art films of Terrence Malick to the more conventional but serious dramas of the Coen brothers and Frank Capra, to popular action blockbusters like the Dark Knight and the Marvel films. Drawing on these cinematic works, the authors explore religious themes that remain salient even in a time when religion seems to be in decline: themes such as sin and judgment, the experience of grace and reconciliation, and confrontation with radical evil.
About the authors:
Carson Holloway is professor of Political Science at the University of Nebraska at OmahaMicah Watson is is Paul Henry professor of Christianity and Politics at Calvin University
Press Reviews:
"This is a great volume of essays that work both as solid primers into major themes related to faith, and as lucid excursions into specific films. This volume is fascinating, readable, and provocative. Highly recommended."
-- Khalil M. Habib, Hillsdale College
"The authors of this fine collection of essays remind us that real art, even highly commercialized art like film, is meant to help us better see reality, including the reality of ourselves as humans in a fallen world hungrily longing for mercy and grace. This book provides a great service, not only in helping us better appreciate movies we have seen, but in preparing us to be more thoughtful movie goers in the future."
-- Jerome Foss, Saint Vincent College
[A]ll of the authors model how to think seriously about film as Christians, even when the films themselves ostensibly lack any substantive religious content. At a time when popular culture is nearly devoid of religious substance, such modeling of careful Christian analysis of film is especially important.
― First Things
See the publisher website: Lexington Books
> On a related topic:
The Wages of Cinema (2025)
A Christian Aesthetic of Film in Conversation with Dorothy L. Sayers
Subject: Sociology
Movies and the Church of Baseball (2024)
Religion in the Cinema of the National Pastime
Subject: Sociology
Protestants on Screen (2024)
Religion, Politics and Aesthetics in European and American Movies
Dir. Gastón Espinosa, Erik Redling and Jason Stevens
Subject: Sociology
Southern by the Grace of God (2024)
Religion, Race, and Civil Rights in Hollywood's American South
by Megan Hunt
Subject: Sociology
Exploring Film and Christianity (2024)
Movement as Immobility
Dir. Rita Benis and Sérgio Dias Branco
Subject: Sociology
Theology and Survival Movies (2024)
An Orthodox Christian Perspective
by Ioan Buteanu
Subject: Sociology
Nuns in Popular Culture (2024)
Critical Essays
Dir. Marcus K. Harmes and Meredith A. Harmes
Subject: Sociology