Les livres en français sont sur www.livres-cinema.info
MENU   

Exploring Film and Christianity

Movement as Immobility

Sous la direction de Rita Benis et Sérgio Dias Branco

Type
Studies
Sujet
Sociology
Mots Clés
religion, spirituality, sociology
Année d'édition
2024 (November 28, 2024)
Editeur
Routledge
Collection
Routledge Studies in Religion and Film
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 254 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-032-15956-0
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility," arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick’s Knight of Cups, Martin Scorsese’s Silence, and Denis Villeneuve’s Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.

À propos des auteurs :
Rita Benis is a Researcher at the Center for Comparative Studies at the University of Lisbon, Portugal.
Sérgio Dias Branco is Associate Professor of Film Studies at the University of Coimbra, Portugal.

Voir le site internet de l'éditeur Routledge

> Sur un thème proche :

Protestants on Screen:Religion, Politics and Aesthetics in European and American Movies

Protestants on Screen (2024)

Religion, Politics and Aesthetics in European and American Movies

Dir. Gastón Espinosa, Erik Redling et Jason Stevens

Sujet : Sociology

Ways of Remembering:Law, Cinema and Collective Memory in the New India

Ways of Remembering (2024)

Law, Cinema and Collective Memory in the New India

de Oishik Sircar

Sujet : Countries > India

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

Postcolonial Bollywood and Muslim Identity (2024)

Production, Representation, and Reception

de Nadira Khatun

Sujet : Countries > India

The Exorcist Effect:Horror, Religion, and Demonic Belief

The Exorcist Effect (2023)

Horror, Religion, and Demonic Belief

de Joseph P. Laycock et Eric Harrelson

Sujet : Genre > Horror

Confessional Cinema:Religion, Film, and Modernity in Spain's Development Years, 1960-1975

Confessional Cinema (2017)

Religion, Film, and Modernity in Spain's Development Years, 1960-1975

de Jorge Pérez

Sujet : Countries > Spain

Hollywood Under Siege:Martin Scorsese, the Religious Right, and the Culture Wars

Hollywood Under Siege (2008)

Martin Scorsese, the Religious Right, and the Culture Wars

de Thomas R. Lindlof

Sujet : One Film > The Last Temptation of Christ

The Wages of Cinema:A Christian Aesthetic of Film in Conversation with Dorothy L. Sayers

The Wages of Cinema (2025)

A Christian Aesthetic of Film in Conversation with Dorothy L. Sayers

de Crystal L. Downing

Sujet : Sociology

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •