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A Siberian History of Soviet Film

Manufacturing Visions of the Indigenous Peoples of the North

de Caroline Damiens

Type
Studies
Sujet
CountriesRussia / USSR
Mots Clés
Soviet cinema, USSR, social aspects
Année d'édition
2024 (October 03, 2024)
Editeur
Bloomsbury Academic
Collection
KINO - The Russian and Soviet Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 320 pages
5 ¾ x 8 ¾ inches (14.5 x 22 cm)
ISBN
978-1-350-26988-0
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Description de l'ouvrage:
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980.

Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (1961 & 1975), Tymancha's Friend (1969) and The Most Beautiful Ships (1972), with primary sources like press articles, archives, and interviews, to reveal how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context. She emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved.

Using a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.

À propos de l'auteur :
Caroline Damiens is associate professor in film studies at the University of Paris Nanterre. She gained her PhD at the National Institute of Oriental Languages and Civilisations, Paris, and was a postdoctoral fellow at the Department of Research and Higher Education at the Quai Branly Museum.Birgit Beumers, PhD, is a senior lecturer in the Department of Russian Studies at the University of Bristol, Bristol, England. She is editor of the online journal KinoKultura, which is devoted to contemporary Russian film.

Voir le site internet de l'éditeur Bloomsbury Academic

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