Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
New Soviet Man (2003)
Gender and Masculinity in Stalinst Soviet Cinema
de John Haynes
Sujet : Countries > Russia / USSR
A Siberian History of Soviet Film (2024)
Manufacturing Visions of the Indigenous Peoples of the North
Sujet : Countries > Russia / USSR
Stalin's Final Films (2024)
Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953
Sujet : Countries > Russia / USSR
Soviet Films of the 1970s and Early 1980s (2023)
Conformity and Non-Conformity Amidst Stagnation Decay
Dir. Marina Rojavin et Tim Harte
Sujet : Countries > Russia / USSR
Feeling Revolution (2020)
Cinema, Genre, and the Politics of Affect under Stalin
Sujet : Countries > Russia / USSR
Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 (2017)
Re-Visions
Dir. Sanja Bahun et John Haynes
Sujet : Countries > Russia / USSR
The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor et Ian Christie
Sujet : Countries > Russia / USSR
Stalinist Cinema and the Production of History (2008)
Museum of the Revolution
Sujet : Countries > Russia / USSR
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Sujet : Countries > Russia / USSR
Men Out of Focus
The Soviet Masculinity Crisis in the Long Sixties
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Description de l'ouvrage:
Men Out of Focus charts conversations and polemics about masculinity in Soviet cinema and popular media during the liberal period – often described as "The Thaw" – between the death of Stalin in 1953 and the invasion of Czechoslovakia in 1968. The book shows how the filmmakers of the long 1960s built stories around male protagonists who felt disoriented by a world that was becoming increasingly suburbanized, rebellious, consumerist, household-oriented, and scientifically complex. The dramatic tension of 1960s cinema revolved around the male protagonists’ inability to navigate the challenges of postwar life.
Selling over three billion tickets annually, the Soviet film industry became a fault line of postwar cultural contestation. By examining both the discussions surrounding the period’s most controversial movies as well as the cultural context in which these debates happened, the book captures the official and popular reactions to the dizzying transformations of Soviet society after Stalin.
À propos de l'auteur :
Marko Dumančić is an associate professor of Russian and East European History at Western Kentucky University.
Voir le site internet de l'éditeur University of Toronto Press
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