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The Ethnographic Optic:Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

The Ethnographic Optic (2024)

Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

by Laure Astourian

Subject: Countries > France

Haunting the Left Bank:Mortality and Intersubjectivity in Varda, Resnais and Marker

Haunting the Left Bank (2022)

Mortality and Intersubjectivity in Varda, Resnais and Marker

by Kierran Horner

Subject: Theory

Night and Fog:A Film in History

Night and Fog (2014)

A Film in History

by Sylvie Lindeperg

Subject: One Film > Night and Fog

Concentrationary Cinema:Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Concentrationary Cinema (2014)

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Dir. Griselda Pollock and Max Silverman

Subject: One Film > Night and Fog

Where Film Meets Philosophy:Godard, Resnais, and Experiments in Cinematic Thinking

Where Film Meets Philosophy (2013)

Godard, Resnais, and Experiments in Cinematic Thinking

by Hunter Vaughan

Subject: History of Cinema

Black and Blue:The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

Black and Blue (2012)

The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

by Carol Mavor

Subject: Theory

Uncovering the Holocaust:The International Reception of Night and Fog

Uncovering the Holocaust (2006)

The International Reception of Night and Fog

Dir. Ewout van der Knaap

Subject: One Film > Night and Fog

Alain Resnais

by Emma Wilson

Type
Studies
Subject
DirectorAlain Resnais
Keywords
Alain Resnais
Publishing date
2006
Publisher
Manchester University Press
Collection
French Film Directors
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 240 pages
5 ¼ x 8 inches (13.5 x 20.5 cm)
ISBN-10
ISBN-13
0-7190-6406-6
978-0-7190-6406-7
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Book Presentation:
Alain Resnais, director of Hiroshima Mon Amour and L'Année Derniere à Marienbad, has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating new introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais's films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond.

About the Author:
Emma Wilson is Reader in Contemporary French Literature and Film at Corpus Christi College, Cambridge

See the publisher website: Manchester University Press

See the complete filmography of Alain Resnais on the website: IMDB ...

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