Film Out of Bounds
Essays and Interviews on Non-Mainstream Cinema Worldwide
Edited by Matthew Edwards
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Book Presentation:
Operating outside the commercial boundaries of Hollywood cinema, alternative and independent filmmakers have much to offer the discriminating viewer. Yet they struggle for a place in the popular culture, and even more for recognition by the scholarly community.
The specific aim of this book is to provide much-needed critical examination of titles, particularly those by British filmmakers. In-depth commentary from such acclaimed writers as Maitland McDonagh, Jasper Sharp, Johannes Schönherr and Marcus Stiglegger considers filmmakers who work at the very heart of the independent medium, giving the reader specific insight into alternate cinema and the struggles its filmmakers endure. Featured are interviews with both rising and established filmmakers, including the infamous Guy Maddin and Herschell Gordon Lewis. Finally, this collection of interviews and essays boasts a 20th anniversary retrospective on the British cult classic The Company of the Wolves, complete with an exclusive interview with director Neil Jordan.
About the Author:
Matthew Edwards is a primary school teacher and freelance writer from Cirencester, England. He is the author or editor of numerous books on world cinema.
Press Reviews:
"excellent"—Filck Attack; "excellent"—Bookgasm.
See the publisher website: McFarland & Co
> From the same author:
Bloodstained Narratives (2023)
The Giallo Film in Italy and Abroad
The Cinema of James Wan (2022)
Critical Essays
The Rwandan Genocide on Film (2018)
Critical Essays and Interviews
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Twisted Visions (2017)
Interviews with Cult Horror Filmmakers
Klaus Kinski, Beast of Cinema (2016)
Critical Essays and Fellow Filmmaker Interviews
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Subject: Actor > Klaus Kinski
> On a related topic:
In Search of Cinema (2004)
Writings on International Film Art
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TCM Imports (2025)
Timeless Favorites and Hidden Gems of World Cinema
Screen Culture in the Global South (2024)
Cinema at the End of the World
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Interpretations of Film as Culture