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A History of Early Film Volume 2:An Established Industry

A History of Early Film Volume 2 (2023)

An Established Industry

Dir. Stephen Herbert

Sujet : Silent Cinema

Silent Cinema:A Guide to Study, Research and Curatorship

Silent Cinema (2019)

A Guide to Study, Research and Curatorship

de Paolo Cherchi Usai

Sujet : Silent Cinema

Menus for Movieland:Newspapers and the Emergence of American Film Culture 1913-1916

Menus for Movieland (2015)

Newspapers and the Emergence of American Film Culture 1913-1916

de Richard Abel

Sujet : Silent Cinema

Studios Before the System:Architecture, Technology, and the Emergence of Cinematic Space

Studios Before the System (2015)

Architecture, Technology, and the Emergence of Cinematic Space

de Brian R. Jacobson

Sujet : Silent Cinema

Early Cinema Today:The Art of Programming and Live Performance

Early Cinema Today (2012)

The Art of Programming and Live Performance

Dir. Martin Loiperdinger

Sujet : Silent Cinema

The Image in Early Cinema

Form and Material

de Scott Curtis, Tom Gunning, Philippe Gauthier et Joshua Yumibe

Type
Studies
Sujet
Silent Cinema
Mots Clés
history of cinema, early cinema, theory
Année d'édition
2018
Editeur
Indiana University Press
Collection
Early cinema in review: proceedings of Domitor
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 392 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-253-03439-7
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Description de l'ouvrage:
In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.

Voir le site internet de l'éditeur Indiana University Press

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