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Yiddish Cinema (2024)

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Sujet : Sociology

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Sujet : Sociology

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Sujet : Sociology

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The New Jew in Film (2012)

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Sujet : Sociology

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Cinema and the Shoah (2010)

An Art Confronts the Tragedy of the Twentieth Century

Dir. Jean-Michel Frodon

Sujet : Sociology

The Un-Americans:Jews, the Blacklist, and Stoolpigeon Culture

The Un-Americans (2009)

Jews, the Blacklist, and Stoolpigeon Culture

de Joseph Litvak

Sujet : Sociology

The

The "Jew" in Cinema (2005)

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Sujet : Sociology

Revolution in Paradise:Veiled Representations of Jewish Characters in the Cinema of Occupied France

Revolution in Paradise (2019)

Veiled Representations of Jewish Characters in the Cinema of Occupied France

de Yehuda Moraly

Sujet : History of Cinema

Reel Kabbalah

Jewish Mysticism and Neo-Hasidism in Contemporary Cinema

de Brian Ogren

Type
Studies
Sujet
Sociology
Mots Clés
Jewishness, 21st century
Année d'édition
2024 (September 13, 2024)
Editeur
Rutgers University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 188 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-9788402-4-9
Appréciation
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Description de l'ouvrage:
Reel Kabbalah: Jewish Mysticism and Neo-Hasidism in Contemporary Cinema​ studies the ways in which fictional film in the first decade of the twenty-first century represents the esoteric Jewish speculative traditions known as Kabbalah and Hasidism. It examines the textual and conceptual traditions behind five important cinematic representations -- Pi (1998), Ushpizin (2004), Bee Season (2005), The Secrets (2007), and A Serious Man (2009) -- and it considers how film both stands in continuity with those traditions and modifies them in the New Age vein of what is known as neo-Kabbalah and neo-Hasidism. Brian Ogren transforms our understanding of reception history by focusing on how cinema has altered perceptions of Jewish mysticism. In showing how the Jewish speculative traditions of Kabbalah and Hasidism have been able to affect mass-consumed cinematic portrayals of ultimate Truth, this book sheds light on the New Age, pop-cultural dialectic of the particular within the universal and of the universal within the particular.

À propos de l'auteur :
BRIAN OGREN is the Anna Smith Fine Professor of Judaic Studies and the chair of the Religion Department at Rice University in Houston, Texas. He is the author of Kabbalah and the Founding of America, The Beginning of the World in Renaissance Jewish Thought, and Renaissance and Rebirth.

Revue de Presse:
"Brian Ogren’s Reel Kabbalah is an outstanding and pioneering study that breaks disciplinary boundaries and extends the horizons of Kabbalah research. Reel Kabbalah offers a highly sophisticated analysis of cinematic representations and interpretations of Jewish mysticism and contributes significantly to the understanding of modern Kabbalah and its impact on contemporary arts and culture."
— Boaz Huss

"Reel Kabbalah is a significant contribution to the field of religion and film, which has so far largely overlooked the intersections of cinema and Jewish mysticism. Through his thoughtful reading of five case studies, Brian Ogren reveals to us why Kabbalah matters in film analysis and specifically how, by dint of cinema's global reach, neo-Kabbalistic ideas make an impact well beyond the confines of the Jewish world."
— Dan Chyutin

Voir le site internet de l'éditeur Rutgers University Press

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