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Flash Flaherty

Tales from a Film Seminar

Edited by Scott MacDonald and Patricia R. Zimmermann

Type
Stories
Subject
Festivals
Keywords
festival, independent cinema, United States
Publishing date
2021
Publisher
Indiana University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 448 pages
6 ¼ x 9 inches (16 x 23 cm)
ISBN
978-0-253-05398-5
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Book Presentation:
Flash Flaherty, the much-anticipated follow-up volume to The Flaherty: Decades in the Cause of Independent Cinema, offers a people's history of the world-renowned Robert Flaherty Film Seminar, an annual event where participants confront and reimagine the creative process surrounding multiple document/documentary forms and modes of the moving image.

This collection, which includes a mosaic of personal recollections from attendees of the Flaherty Seminar over a span of more than 60 years, highlights many facets of the "Flaherty experience." The memories of the seminarians reveal how this independent film and media seminar has created a lively and sometimes cantankerous community within and beyond the institutionalized realm of American media culture. Editors Scott MacDonald and Patricia R. Zimmermann have curated a collective polyphonic account that moves freely between funny anecdotes, poetic impressions, critical considerations, poignant recollections, scholarly observations, and artistic insights.

Together, the contributors to Flash Flaherty exemplify how the Flaherty Seminar propels shared insights, challenging debates, and actual change in the world of independent media.

About the authors:
Scott MacDonald is Professor of Art History and Director of Cinema and Media Studies at Hamilton College. He is author (with Patricia R. Zimmermann) of The Flaherty: Decades in the Cause of Independent Cinema; The Sublimity of Document: Cinema as Diorama; Binghamton Babylon: Voices from the Cinema Department, 1967–1977; and Avant-Doc: Intersections of Documentary and Avant-Garde Cinema. Patricia R. Zimmermann is Professor of Media Arts, Sciences and Studies at Ithaca College and Director (with Thomas Shevory) of the Finger Lakes Environmental Film Festival. She is author (with Scott MacDonald) of The Flaherty: Decades in the Cause of Independent Cinema; Documentary Across Platforms: Reverse Engineering Media, Place, and Politics; (with Helen De Michiel) Open Space New Media Documentary: A Toolkit for Theory and Practice; and Open Spaces: Openings, Closings, and Thresholds of Independent Public Media.

Press Reviews:
"By the time I was about one quarter of the way through the book, I was having my own 'Flaherty experience': off-site, solo, thirsty for the hubbub, and yet readerly, enriching, and complex."
-Janet Walker, author of Trauma Cinema and Couching Resistance

"As the essays move through time and space, we are left with the knowledge that The Flaherty was and remains a complex, meaningful and often confounding event that could only be experienced by being there."
-Cynthia Close, Documentary

See the publisher website: Indiana University Press

> From the same authors:

Open Space New Media Documentary:A Toolkit for Theory and Practice

Open Space New Media Documentary (2019)

A Toolkit for Theory and Practice

by Patricia R. Zimmermann and Helen De Michiel

Subject: Genre > Documentary

The Sublimity of Document:Cinema as Diorama

The Sublimity of Document (2019)

Cinema as Diorama

by Scott MacDonald

Subject: Genre > Experimental

Avant-Doc:Intersections of Documentary and Avant-Garde Cinema

Avant-Doc (2014)

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by Scott MacDonald

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Adventures of Perception:Cinema as Exploration

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Canyon Cinema:The Life and Times of an Independent Film Distributor

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Mining the Home Movie:Excavations in Histories and Memories

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Subject: Genre > Documentary

Art in Cinema:Documents Toward a History of the Film Society

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A Critical Cinema 5:Interviews with Independent Filmmakers

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by Scott MacDonald

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A Critical Cinema 4:Interviews with Independent Filmmakers

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Subject: Genre > Independent cinema

Avant-garde film:motion studies

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motion studies

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A Critical Cinema 2:Interviews with Independent Filmmakers

A Critical Cinema 2 (1992)

Interviews with Independent Filmmakers

by Scott MacDonald

Subject: Director

A Critical Cinema 1:Interviews with Independent Filmmakers

A Critical Cinema 1 (1988)

Interviews with Independent Filmmakers

by Scott MacDonald

Subject: Director

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